ABBOTT, ANDREW
#10:
“Schizophrenic bone in my body,” p. 86
“Bloopers reel,” p. 87
#13:
“Goose Blurb,” p. 70
“I Couldn’t Catch My Breath,” p. 71
#18:
“Hot Dog,” p. 96
#22:
“take my picture,” p. 91
“fake flowers,” p. 92
#28:
“cats!” p. 33
#31:
“potatoes making love,” p. 80
“liquid seagull laugh,” p. 81
#39:
“Philosophy of Consciousness,” p.91
“Self-Portrait with Exaggerated Mustache,” p. 92
“Signature Spirit Animal,” p. 93
ACOSTA, ABDIEL
#8:8:
“Leviathan,” p. 14
“The Killer in Me that Lies Within,” p. 15
#13:
“What Lurks Beneath,” p. 112
ADAMS, JEFFERSON
#34:
“Pneumonia,” p. 13
ALEXANDER, SHARON
#23:
“Wheatfield With Crows,” p. 57
ALEXANDER, WILL
#1:#1:
From The Ganges, pp. 71-83
#2:2:
“On Scorpions & Swallows,” pp. 32-36
“Alien Personas,” p. 37
From Aphorisms, p. 38
“Vibration from the Coast of India,” p. 39
#7:#7:
From General Scatterings and Comment, pp. 16-17
From On the Substance of Disorder, pp. 18-20
#15:
“Bulletins From the Lava Floor: in Remembrance of Wanda Coleman,” pp. 20-21
From The Vertigo Borders for Roger Gilbert-Lecomte, pp. 22-24
#19:
From Concerning the Henbane Bird, pp. 14-16
#26:
“Acidic Visionary Eurekas,” pp. 30-31
“Into Galvanic Iodine Vistas,” pp. 32-33
#35:
“Subliminal Verbal Susurration,” pp. 20-22
#40:
“The Ethos of Capital: Reductive Possibility,” p. 11
ALEXANDER, WILL and CARLOS LARA
#11:
From The Audiographic as Data, pp. 20-27
ALSOP, MAUREEN
#17:
“Ministering the Weather,” p. 83
“Snow Amulet, Superscription,” p. 84
ANDERSON, JACK
#1:#1:
“Private Matters,” p. 57
“Prodigious Lives,” p. 58
#3:#3:
“City of Obelisks,” pp. 81-82
“Our Nice City,” p. 83
“The Night Isadora Duncan Died,” p. 84
#7:#7:
“Tonight Only,” pp. 82-83
ANDERSON, SUSAN KAY
#6:#6:
“dream(s) (continued),” pp. 95-98
“Sleeping With Art,” p. 99
#9:
“Gasoline,” p. 49
“Travelling Trees,” p.50
#22:
“The Dog,” pp. 97-98
“Domestic Rustical,” p. 99
“Twin Memory,” p. 100
#32:
“My father wanted the West,” p. 17
“Dreams (continued),” p. 18
“I was so glad to finally reach the trail,” p. 19
“Conference of the Clouds,” p. 20
“No Boxing Day,” p. 21
“It Begins Then to Be Possible to Imagine,” p. 22
#37:
“At the End of Hinimanu Street in Waimanalo Where I Napped On the Beach,” pp. 46-47
#40:
“Shaniko, Mon Amour,” pp. 19-21
“Black Dirt,” p. 22
ANNESE, TRISH
#36:
“Speakeasy,” pp. 53-54
- NON
#23:
“Nothing takes place suddenly…nature never makes leaps,” p. 65
“Things that have nothing in common cannot be one cause of the other,” p. 66
#28:
“If a cow has no tail…” p. 102
“Later, when I lived very differently…” pp. 103-104
ANTONIO, JULIO
#9:
“Bestia,” p. 30
“Bundles,” p.31
“Descending Stairs,” p. 32
APPS, AARON
#12:
From Dear Herculine, pp. 50-55
AREHART, AMY JO
#9:
“Stilling Humming,” p. 67
“There Was Walking There,” p. 68
ARGUELLES, IVAN
#1:#1:
“the distance,” pp. 85-90
#8:8:
“(Cadmus),” pp. 9-10
#16:
“(“hip”),” pp. 76-82
#20:
“the unraveling (twenty-five) pp. 61-66
#22:
“a brief history of SURREALISM,” pp. 39-41
“An Account of the War,” pp. 42-44
“Wasteland,” pp. 45-46
#23:
“ETERNITY: a memory,” pp. 47-49
#24:
“President Obama Visits Hiroshima,” pp. 62-63
#25:
“consulting the Delphic oracle a rush of wind then silence,” pp. 64-65
“america the beautiful,” pp. 66-67
#26:
“Upon Waking to the News of Trump’s Presidency,” pp. 26-27
“California Dreaming,” pp. 28-29
#28:
“Pachuco” pp. 12-13
“Song of San Francisco,” pp. 14-15
#29:
From {The Hymn to Isis} pp. 73-74
“Gerusalemme Liberata,” pp. 75-76
#30:
“Charles Manson Dies at 83,” pp. 40-41
“The Voice Within,” pp. 42-44
#31:
“Return From Paradise,” pp. 68-70
“The Date Was Thirteen Death,” pp. 71-72
“The Fire This Time,” pp. 73-74
#32:
“La Sierra Madre,” pp. 93-94
“Ruminating,” pp. 95-96
#33:
“The Template of Devotion and Desire,” pp. 89-90
“Amnesia,” pp. 91-92
“The Illegible Text,” pp. 93-94
#34:
From LAST/ LOST/ EPIC
“xix,” pp. 13-14
“xxxv: the Divine Lady who is she?” pp. 15-16
#35:
From Twilight Cantos
“18,” pp. 12-13
“23,” pp. 14-15
#36:
“diario xii,” pp. 45-46
“diario xvi,” pp. 47-48
“diario lxxx,” pp. 49-50
“diario xcix,” pp. 51-52
#37:
The Shape of Air
“Fragment 1,” pp. 30-34
“Fragment 2,” pp. 35-39
“Epilogue,” pp. 40-45
#38:
“The Buddha Preaching on the Steps of the Berkeley BART,” pp. 56-57
#39:
“La Saison Morte,” pp. 61-62
“Come Hither to the Aid of the Pious Mortal,” pp. 63-64
“Footnote to Hesiod’s ‘Works and Days’,” pp. 65-66
“The Sonorous Cadaver,” pp. 67-68
#40:
“an ode in the time of plague,” pp. 46-47
“these days,” pp. 48-49
“the ruins of philology,” pp. 50-51
ATWOOD, MARGARET
#33:
“Note for George Hitchcock,” p. 42
AVILA, RICARDO
#9:
“Ciudad y el juego,” p. 72
“Ciudad contaminado,” p. 73
#19:
“Ciudad de Mexico,” cover
“Costa Azul,” p. 57
“Punta, playa y crucero,” p. 58
“Ciudad de Italia,” p. 59
“Ciudad de Munich,” p. 60
BAENA, SIMON ANTON DIEGO
#29:
“Orison,” p. 30
#30:
“The Book of Magdalene,” pp. 80-81
#32:
Untitled poem, p.54
BAKER, CARLYLE
#18:
“contact,” p. 86
“tile,” p. 87
#34:
“PTG38,” p. 107
BALLENTINE, LEE
#18:
“Tierra Incognita,” pp. 9-10
BARNES, CHRISTOPHER
#25:
“Lord Byron Joins a Dating Site,” p.103
#26:
“Lord Byron Toys With Samples on His Mac,” p. 75
“Lord Byron Spellchecks an Application,” p. 76
“Lord Byron Reads His Own Obituary,” p. 77
“Lord Byron Resents the Demands of Cyberpets,” p. 78
#36:
“Putting You Through Now, Caller (14),” p. 102
“Putting You Through Now, Caller (15),” p. 163
#39:
“Liberty Atoms 31,” p. 76
“Liberty Atoms 33,” p. 77
“Liberty Atoms 35,” p. 78
BARNSTONE, WILLIS
#1:1:
“The Animals Began at the Porch,” pp. 23-30
BEAUMONT, JEANNE MARIE
#4:#4:
“Irradiating Metaphors (Grey Gardens),” p. 38
“Also by the Author,” p. 39
#9:
“Giogio Morandi,” p. 24
“The Windex of Versailles,” p. 25
#22:
“A Brief Index,” pp. 36-37
“‘Mere’ Hypotheses,” p. 38
BEINING, GUY R.
#15:
From felt tongue: 45, 146, & 191, pp. 66-68
Four collages, pp. 69-72
#17:
“Snow Eye,” cover
“Fire Statue,” p. 48
“Iraq Without Windows,” p. 49
“Courting Night’s Puzzle,” p. 50
“The End in Latvia,” p. 51
“felt tongue 195,” p. 52
“felt tongue 196,” p. 53
“felt tongue 226,” p. 54
#18:
“Star Spray,” p. 105
“What Follows?” p. 106
#19
“Target,” p. 120
#22:
“updike gathers sheen,” p. 108
“caustic,” p. 109
“murmur,” p. 110
#23:
“pinned,” p. 67
“Pawn,” p. 68
“Pattern 1,” p. 69
#25:
“felt tongue 703,” p. 94
“Thinking, No Pretending to Think,” p. 95
#26:
“split,” p. 11
“tracing a disconnect,” p. 112
“lost,” p. 113
#27:
“total (12),” p. 107
“total (13),” p. 108
#29:
“planetary being 17,” p. 44
“planetary being 22,” p. 45
“planetary being 24,” p. 46
“planetary being 26,” p. 47
“planetary being 27,” p. 48
“the arrow enters radius of ill,” p. 49
“the god stick was left,” p. 50
“the fall is but a tumble disguised,” p. 51
#31:
“wind,” p. 76
“stars point thru,” p. 77
“night sky,” p. 78
“morning sky,” p. 79
#32:
“revolving,” pp. 57-61
#35:
“felt tongue 938,” p. 64
“felt tongue 983,” p. 65
“felt tongue 986,” p. 66
“staged matter,” pp. 67-70
#36:
“felt tongue 569,” p. 82
“felt tongue 872,” p. 83
“rubble (7),” p. 84
#37:
“exploratory notes,” p. 59
“boxed in,” p. 60
“cupped earth,” pp. 61-64
#39:
“Amoral Pool,” pp. 69-72
“felt tongue 843,” p. 73
“felt tongue 845,” p. 74
“felt tongue 847,” p. 75
#40:
“caliban: backed up,” p. 52
“caliban: disbanded,” p. 53
“fire that swims,” pp. 54-57
“hush artspeak,” p. 58-61
BELGUM, ERIK
#5:5:
From Classical Supplements: Cadenza Cadenza, p. 96
From Arbitrarily Created People, p. 97
BELLA, LANA
#34:
“Sunday,” p. 56
“Ordinary Things,” p. 57
BENNETT, BARBARA LAI
#1:#1:
“Behind the Lattice,” p. 47
“Common Thread,” p. 48
“Jade Powder and Dew,” p. 49
“Prayer Circle for a Rescue,” p. 50
“She Carried Green Plums,” p. 51
#6:#6:
“Hanauma,” p. 102
#9:
“Ring of Stellar Death,” p. 51
#12:
“Continuation (For Deedee with Love),” p. 41
#15:
“Shifting 1,” p. 35
“Shifting 2,” p. 36
#20:
“Flow,” cover
“Blue Moon,” p. 57
“Gold Disc,” p. 58
“Dimensions,” p. 59
“Blossoming,” p. 60
#25:
“Orbits,” p. 82
“Perpetual Duality,” p. 83
#27:
“Resistance: Piercing the Orange,” p. 70
“Stitched Painting 1,” p. 71
“Stitched Painting 2,” p. 72
#36:
“Underground Sprouting,” p. 27
“Blue Waving,” p. 28
#37:
“Exploding Plumage,” p.48
“Lotus Cycle,” p. 49
BENNETT, ELEANOR
#7#7:
“hyhyh,” p. 68
“an earwig home,” p. 69
“earthquake,” p. 70
BENNETT, JOHN M.
#2:2:
“Lagrimamatoma,” p. 22
“Onsentidomeno,” p. 23
“So to Speak,” p. 24
“Sisters,” p. 24
#4:#4:
“Escuintle Seguidor,” p. 22
“knob1,” p. 23
#7:#7:
“Itch,” p. 100
“Senda,” p. 101
#9:
From Sole Dada Prime, pp. 36-38
11:
4 Pieces, pp. 84-87
#14: 2 Pieces, p. 82-83
#16:
“litlivre,” p. 104
“breaking glass,” p. 105
#18:
“le lit,” p. 63
“yes it fell,” p. 64
#20:
“dice foundation,” p. 45
“ruego,” p. 46
#22:
“the fair,” p. 117
“fell off,” p. 118
“Mascara de Atlan,” p. 119
#28:
“Maya Head: TOCAR LA GRANDISIMA,” p. 83
Collage, p. 84
“SLEEP ROPES,” p. 85
“FLOTTEUR FRATTAGE,” p.86
#30:
“fronterizo,” p. 85
“nulopendio,” p. 86
#32:
“clouded bulb,” p. 82
“cycle eats,” p. 83
#35:
Collage, p. 105
“bundolor,” p. 106
“champ de guerre,” p. 107
#36:
“should and not,” p. 85
“ehecatlipoca,” p. 86
#37:
“discover maiden child,” p. 73
“she they music,” p. 74
#39:
“sleep approaches in its crib,” p. 94
“DO IT,” pp. 95-96
BENNETT, JOHN M. AND THOMAS CASSIDY (MUSIC MASTER)
#12:
“EOLZ,” p. 91
#20:
2 Untitled Collages, pp. 119-120
#25:
4 Untitled Colleges, cover and pp. 58-61
#31:
4 Untitled Collages, pp. 92-96
#34:
3 Untitled Collages, pp. 75-77
#40:
Collage, p. 95
BENNETT, JOHN M. AND BARON VON GERALDO
#39:
“Dream Marine Biologica #6 (Jelly Fish),” p. 97
BENNETT, JOHN M. AND JIM LEFTWICH
#29:
2 Untitled Pieces, pp. 21-22
BENTLEY, RICHARD
#24:
“The Headhunter’s Son,” pp. 66-68
BERNSTEIN, CHARLES
#3:#3:
“Sea Drift,” p. 25
“And Quiet Flows the Soane,” p. 26
“It’s Not my Bag,” p. 27
#20:
“No re-entry from this poem,” p. 67
BERNSTEIN, LISA (LISA B)
#2:#2:
From Post-War Persephone:
“The Guide,” pp. 13-14
“Underworld Dusk,” p. 15
“Dance of the Killed Girl,” pp. 16-17
#4:
“Genesis,” pp. 12-13
“Listen,” p. 14
#7:#7:
“Once I Knew Holiness,” pp. 71-72
“Man Walking in a Meadow,” pp. 73-74
“Billie Goes Home,” p. 75
“Some Things to do with Pain,” pp. 76-77
#20:
From Persephone Post-War:
“The Other World,” pp. 32-33
“Plum Juice,” pp. 34-36
“His Living Daughter,” pp. 37-39
#21:
“Small Witness,” pp. 54-58
“the splendor at the root of existence,” pp. 59-60
BHAT, ASHWINI
#14:
“one over two, two over one (1),” p. 39
“one over two, two over one (2),” p. 40
“one over two, two over one (3),” p. 41
BIRO, JOZSEF
#18:
“Mine 1,” p. 110
#19:
“In Remembrance of Kurt Schwitters,” p. 27
#23:
“Visual Poetry Poster No. 2,” p. 50
#27:
“Visual Poem,” p. 23
BLAZEK, DOUGLAS
#1:#1:
“The Domestic Frontier,” p. 98
BLY, ROBERT
#3:#3:
“Smoke-Stained Fingers,” p. 9
BOGEN, LAUREL ANN
#10:
“Midway,” pp. 74-75
BORDESE, MARCELO
#6:
“Leda,” p. 46
“Caligula and His Sisters,” p. 47
#22:
“Adan y Eva (Adam and Eve),” cover
“Alegoria de la orfandad (Allegory of Orphanhood),” p. 63
“Jardin Hormonal (Hormonal Garden),” p. 64
“Caperusita y el lobo (Little Red Riding Hood and the Wolf),” p. 65
“Madonna con infants (Madonna and Children),” p. 66
BORKHUIS, CHARLES
#14:
“Dead Reckoning IV: Echoes Drawn Upon a Point,” pp. 54-59
#19:
“Singularities,” pp. 95-96
“Tick,” p. 97
#23:
“Dead Letter,” p. 88
“Displaced Persons,” p. 89
#26:
“dropped a lifetime or two,” p. 86
“window the road,” pp. 87-88
#37:
“Stone,” p. 12
BORUCK, HOLLY
#44:
“Untitled 021,” pp. 28-29
#13:
“Ah Weltanschauung,” p. 90
BRADLEY, JAMES
#12:
“Cities on the Surface of the Skin,” p. 75
BRADLEY, JOHN
#2:2:
“Kindness My True Religion: An Interview with Godzilla,” pp. 25-26
#44:
“My Brother, My Bother,” pp. 30-33
“Nancy Sinatra Comes to Fordlandia, December 20, 1930,” p. 34
#6:6:
“Silence is a Text: An Interview with the Evil Eye,” pp. 53-55
#9:
“Intermission; In Which Jane Russell Auditions for the Role of Billy the Kid,” pp. 79-80
“Fourteen Famous Little Known Uses for Butter,” pp. 81-83
#13:
“History of the Arrow,” pp. 98-99
#15:
“Sintext: Speak to My Fontanel,” 104-105
#18:
“Anonymous Sonnet: A Rather Short History of George Pullman,” p. 57
“Wear the Paper Hat #49,” p. 58
“Wear the Paper Hat #57,” p. 59
#22:
“That Which Transpires Behind That Which Appears,” p. 105
“That Which Appears Behind That Which Transpires,” p. 106
“Dreaming Imperfect,” p. 107
#25:
“Cento: Charles Baudelaire, ‘On Photography,’ 1859” p. 97
“Cento: Susan Sontag, ‘On Photography,” 1977” p. 98
“Cento: Roland Barthes, ‘Camera Lucida,’ 1980” p. 99
#27:
“Van Gogh’s Hereafter Ear,” pp. 51-52
“Rhetorical Velocity,” p. 53
#29:
“Again Let Us Begin,” p. 81
“Dear Morpheus,” pp. 82-83
“Endnotes on a Condition Called Dear Morpheus: This Too Is Topographically True,” p. 84
#31:
“Fragments from So Saith the Third Book of Dissolve,” pp. 82-83
“Fragments from So Saith the Ninth Book of Resolve,” p. 84
#34:
“And then We Saw the Daughter of the Minotaur,” pp. 9-10
“Dear Morpheus,” p. 11
“Thomas Jefferson and the American Hallucination,” p. 12
#36:
“How to Do Splits in a Catacomb,” p. 64
“How to Milk a Killer Whale,” p. 65
“How to Forgive,” p. 66
“How to Survive the Post-Salumnian Period,” pp. 67-68
#38:
“How to Pick a Photograph of a Syringe,” p. 9
“Inverted and Equilateral,” p. 10
“How to Find a Four-Leaf Calamity,” p. 11
“When You Imprint on My Back the Milky Way (In 3-D, Please),” p. 12
“How to Burn a Hypnogogic Book,” p. 13
#40:
“Scrubbed Out Photographs,” p. 15
“Sleep, Tower of Babel, Sleep,” p. 16
“Birds Go Through,” p. 17
“Tribute and Farewell,” p. 18
BRENNAN, SCOTT
#9:
“Planets and Comets and Stars,” p. 95
BROWNSTEIN, MICHAEL H.
#4:#4:
“This Poem Needs a Refrain,” p. 78
“Caution,” p. 79
“A Changing of the Guard,” p. 80
BUSH, CASEY
#27:
“A Card from Katie Meyers’ Mother,” p. 109
BUSSELL, DAVID
#10:
“Space Eyes,” p. 96
BUTSON, DENVER
#2:2:
From The Scent of Electricity, pp. 79-80
#7:#7:
“Four Untitled Poems,” pp. 84-87
#8:#8:
“relax,” pp. 62-64
#13:
“thoughts in Brooklyn at 3 AM,” p. 14
“some things the scarecrow,” p. 15-16
“knowledge,” p. 17
“the scarecrow is lost at,” p. 18
#14:
“if the scarecrow has one regret,” p. 42
“if the scarecrow were clyde barrow,” p. 43
“in absentia,” p. 44
#16:
“red,” pp. 50-51
“underwater vernacular,” p. 52
“post-mortem notes,” p. 53
“the alibis of scarecrows,” pp. 54-55
“every year once a year,” pp. 56-61
“scarecrow wings,” pp. 62-68
#17:
“I’m Reading a Book About a Scarecrow,” pp. 85-88
“A Purgatory of Scarecrows,” pp. 89-91
#19:
“Study Guide 2,” pp. 101-105
“Study Guide 3,” pp. 106-109
“Study Guide 4,” pp. 110-114
#21:
“dear those who would mourn,” p. 78
“dear sky above my head,” p. 79
“dear person being buried one day in 1974,” p. 80
“dear post office/lawn mower shop,” p. 81
“dear his mother,” p. 82
“dear as if anyone is reading this,” p. 83
#25:
“for the sake of argument,” pp. 91-92
#29:
“poor scarecrow,” pp. 89-90
“scarecrows and stars,” p. 91
“noticing,” p. 92
“sentence,” pp. 93-94
#34:
“without this wind,” p. 84
“Italian Cinema,” p. 85
#38:
“It has never entered the scarecrow’s mind,” pp. 58-59
#40:
“find and replace,” pp. 114-115
CALIBAN (LAWRENCE R. SMITH)
#1:1:
“Once Again, Caliban Refuses to Collect His Thoughts,” pp. 103-109
#3:#3:
“George Hitchcock, Kayak, and the 20th Century Avant-Garde,” pp. 101-103
#6:
“Romantic Punk Shamanism,” pp. 103-104
#9:
“The Legacy of Louis Simpson (1923-2012),” p. 100
#14:
“The One and Only Wanda Coleman (1946-2013),” pp. 90-92
#23:
“Jim Harrison (1937-2016),” pp. 97-98
#26:
“Chuang Che’s Effusive Vitality,” pp34-35
#40:
“Ellen Wilt, the Soul of Caliban,” pp. 23-24
CANCEL, BILLY
#12:
“dot beneath read petal sunset,” p. 80
#14:
“short lived cancelburg haze core scene,” p. 49
#18:
“compensation was some disembodied imp,” p. 53
CANLE, BRENT
#37:
2 Untitled Pieces, pp. 71-72
CAPLES, GARRETT
#2:#2:
“Ten Ten Line Poems for Philip Lamantia,” pp. 18-21
CAPORASO, ANGELA
#28:
“a spasso,” p. 19
“piante,” p. 20
#34:
“piccolissimi poemi visivi (little visual poems),” p. 55
#36:
“adagio,” p. 100
“allegro,” p. 101
CARDINAUX, ELIOT
#22:
“Auxiliary,” p. 115
“Senility,” p. 116
#23:
“Koi,” p. 94
#26:
“A Fly,” p. 120
“A Future Companion,” p. 121
CARDONA-HINE, ALVARO
#2:#2:
“Nocturne: Towers and Beasts,” p. 46
From Petty Cash:
“Lesson,” p. 47
“Pain,” p. 47
“The Spider,” p. 48
“Confession,” p. 48
“Prison,” p. 49
“City of Indians,” p. 49
“Egypt,” p. 50
#7:#7:
“The Obscene,” p. 26
“Big Mountain Photo,” p. 27
“As Earth,” p. 28
“Mirage,” p. 29
“For Hank,” p. 30
“Cathedrals and Apricots,” p. 31
#8:#8:
“Castles in the Air,” p. 80
“New Basis,” pp. 81-84
“Exegesis,” pp. 85-91
#11:
“Timetwist,” p. 56
“Ice Cream,” p. 57
“Old Photos,” p. 58
“Cid Corman,” p. 59
“Persona,” p. 60
CARILLO, ALBINO
#26:
“Feather,” p. 90
“Oakwood Midnight Devil,” p. 91
“Twilight in Hatch, NM,” p. 92
#31:
“There Were Seconds in the Day When It Mattered,” pp. 104-105
CHAR, RENE trans. KEITH TAYLOR
#29:
“On Leave in the Wind,” p. 85
CHIRODEA, DORU
#7:#7:
“17 BLACK ODD,” p. 91
“144,” p. 92
“-1,” p. 93
“2,” p. 94
11:
“kill a dead fly,” p. 119
“none,” p. 120
#17:
2 Poems, pp. 65-66
#21:
“Kelety Dinghy,” p. 93
“Rien Ne Va Plus,” p. 94
#22:
“Duck Catering Toxic Honk,” pp. 78-79
“Duck,” pp. 80-81
#28:
From Chirodea No Grata, pp. 68-69
#33:
“Anal Love,” p. 99
“Family,” p. 96
CHRISTMAS, SHANE JESSE
#10:
“The Girl with an Area of Solid Unrelieved Black Swell,” pp. 16-17
CHUANG, CHE
#2:
#: From 16 Lohans Series, pp.74-76
#7:#7:
“Untitled,” cover
“Variations on Sesshu’s ‘Broken Ink Landscape,’ 3, 5, 7, 8,” pp. 50-53
#40:
“Hidden Brook,” p. 81
“Empty Face,” p. 82
CLAY, S’MARIE
#6:#6:
“Mother (Before) Tongue,” pp. 48-49
“Separating the Fingers,” p. 50
“Still Life With Still Life,” p. 51
“Inside Tiger Out,” p. 52
#8:#8:
“You Have Only Truly Understood One Room,” p. 30
“The Saw in Song,” p. 31
“A Departure,” p. 32
#20:
“The Refugees on the Boat Are Talking,” pp. 80-81
“Basic Training: the Gas Chamber,” pp. 82-83
“Dear Geometry,” p. 84
COLE, ANNELISE
#4:#4:
“/how I hum the parenthesis deep/,” p. 90
#8:8:
“When the chicks drowned,” p. 93
11:
“We Climbed the Telephone Pole as a Recently Discovered Species of Vertical Wistfulness,” p. 31
“I Interrupt Myself Because This is About My Grandfather,” p. 32
“Dear Father the Plot of Your Voice is Twisted in Someone Else’s Veins,” p. 33
#16:
“in response to my sister’s nuclear scan,” p. 91
COLEMAN, WANDA
#3:#3:
“On Cleaning Up All These Ashes in the Sand,” pp. 10-11
“F. H. Nettlebeck Cento,” p. 12
#14:
“On Theloniousism,” pp. 93-108
COOK, ROB
#6:
“The Collision Followers,” pp. 14-16
#8:
:#8 “Brautigan Mountain Depressions,” pp. 16-18
“Trout Story,” pp. 19-20
#9:
“Near the Ruins of the Sea,” pp. 26-27
“Writing Beyond Storm Conditions,” pp. 28-29
#12:
“The Undermining of the Democracy Club,” pp. 84-85
“Conspiracies,” p. 86
“Warning Lights Inside the Heat Wave,” pp. 87-88
“Shadows and Curtains and Lions,” pp. 89-90
#15:
“Blackness Over Motel Country,” pp. 43-44
“The Humidity Project,” pp. 45-46
#16:
“The Desert That Can’t Be Seen from There,” pp. 40-41
“Cartel,” pp. 42-43
“2014,” pp. 44-45
#18:
“Insect Journalism,” pp. 27-29
“Even on Afternoons Without Sleet, It is Still Sleeting in This Building,” pp. 30-31
“From His Birthday, He Sees the Assassins Receding,” pp. 32-34
#19:
“Ranges of Winter,” pp. 21-22
“Declaring Peace,” pp. 23-24
“Sadness in Subtle Michigan Disasters,” pp. 25-26
#23:
“The Empty Dress,” pp. 9-10
“The House Where Gnats Were Given Away,” pp. 11-12
“Wood Song, Wood Family, Wood Song,” pp. 13-14
#24:
“Leaving York College for the Radioactive Planet,” pp. 39-40
“Richard Seaver: A Memoriam,” pp. 41-42
“The Devil’s Thursday,” pp. 43-47
#26:
“Elimination Recovery Exercises,” pp. 21-23
“To Nancy Out in the Cold on That Chat Line Tonight,” pp. 24-26
“No More Night at Sam’s House,” pp. 27-28
“Alien Telephone Pastures,” pp. 29-30
#32:
“Asbury Park, Summer 1994,” pp. 86-87
“Alone with the Warning Between Us,” p. 88
“Deportation Zone,” p. 89
#36:
“Treatises from Inside the Information Cloud,” pp. 14-18
“Appalachia,” p. 18
“Depression Survival Story,” pp. 19-20
#37:
“Hidden Places,” p. 50
“Liver Line,” p. 51
“The Bear Cub Saw the Pancreas,” p. 52
#40:
“Among the Tenderness of Alcohol Failure,” pp. 39-40
COPPIN, GRAHAM
#25:
“The Gates,” p. 96
CORFMAN, SAM
#15:
“Latticework,” p. 106
“Collage,” p. 107
CORIN, LUCY
#5:#5:
“Nine Small Apocalypses,” pp. 20-25
COSTIS
#6:#6:
“number 12,” p. 64
“41 the virus,” p. 65
COTTER, CRAIG
#4::
“Good Friday,” pp. 15-19
#6:6:
“The Whites,” pp. 58-59
“Untitled,” p. 60
#9:
“ON LENNON’S 7Oth BIRTHDAY,” pp. 74-76
#14:
“Waiting for Nico,” pp. 73-74
#19:
“Rib Pork,” pp. 89-94
#26:
“Exercise in Timing,” pp. 116-117
“AH,” pp. 118-119
#29:
“Sanamuluang,” p. 71
“I Can’t Write Stoned,” p. 72
#34:
“Robin,” pp. 86-93
“Act of Contribution, Spring 1980,” pp. 94-97
“Dear Bernie,” p. 93
#35:
“Dear Bill,” pp. 110-116
#39:
“Michigan Wildflowers,” p. 35
CRICK, NATALIE
#28:
“This House,” pp. 100-101
CROSS, JOHN
#6:6:
“Mathias, the ruins of whose arrival lie all about us now,” p. 89
“Mathias casts his vote,” p. 90
#11:
“Tug,” p. 107
“Shurf Joe,” p. 108
“Matthias as tide,” p. 109
“Matthias calls in sick,” p. 110
“Matthias the host,” p. 111
#19:
“Laocoon,” p. 47
#23:
“Red Pear Quartered in Porcelain Rice Bowl,” pp. 45-46
#24:
“Dudley’s Massacre,” pp. 26-27
“Endangered Animals of Ohio,” p. 28
#27:
“Dawn in Diablo and Various Hammers Fell,” pp. 18-19
“Unwavering Tribe,” p. 20
“The Psychology of Haunting Made Simple,” p. 21
“Your Monkey’s Rent Must Be Low,” p. 22
#33:
“Thunderheads,” p. 36
“Here’s Your Karmic Justice,” p. 37
#36:
“Mathias sets out to study detachment,” p. 74
“Fireflies,” p. 75
“Ghosts in Training,” p. 76
“From a Canyon in Ojai, California,” pp. 77-78
“Fallen Timbers,” p. 79
CUMMINGS, RICK
#28:
“Hypersigil,” pp. 40-46
#37:
“Maybe He Will Make Enough Money to Subscribe to Earth,” pp. 75-76
“Another Poem Titled ‘Your Grandpa Was Like That: Listened a Lot and Didn’t Talk Much,”
- 77-81
CUNNINGHAM, STEPHEN
#30:
“Arms,” p. 82
“Ghost Picture,” p. 83
“Wooing Thought Bubble,” p. 84
CURBELO, SILVIA
#1:#1:
“I Dream the Lights Are On in Our Old House,” pp. 9-10
“I Would Dance With You, Marie, but My Hands Are On Fire,” p. 11
“Notes on Courage,” pp. 12-13
#2:#2:
“Summerhouse,” pp. 27-28
“The Sky Grew Dark, Then Darker,” p. 29
#4::
“In the City of Drawers,” pp. 42-43
“Terra Firma,” p. 44
#5:
“Hurricane Watch,” p. 33
“Small Craft Warnings,” p. 34
#9:
“The Last Time I Saw Alice,” pp. 39-40
“Something Whispered My Name,” p. 41
#10:
“Ruby,” p. 14
“What Hope Is,” p. 15
#18:
“Weather Patterns,” p. 11
“Winter Morning, 1968,” p. 12
“Smokes,” 13-15
“Drinking at the Bar the UPS Man Gives You Ideas,” p. 16
“Swimming Toward Sleep,” p. 17
CZURY, CRAIG
#4:#4:
“So in the End It’s Perception,” p. 67
“Occasionally I Have Insights into the Mess of Ideas Further With No Apology,” p. 68
DAWKINS, THOM
#4:#4:
“March 2, 1959,” p. 104
DAY, HOLLY
#14:
“Lung Tissues,” p. 75
DECARTERET, MARK
#31:
“A B-Movie of Me,” pp. 80-81
DEL RISCO, CRISTIAN
#6:6:
“The Soul Seeker,” p. 56
“Prophecy,” p. 57
#9:
“Cyborg,” p. 99
#12:
“Rhapsody,” p. 25
#16:
“My Dog Molly,” p. 116
“Man in the City,” p. 117
“Sleeping Girl,” p. 118
#21:
“Figure Study,” p. 95
Untitled, p. 96
“Ahmose,” p. 97
#23:
“Venus,” p. 23
“Figure III (Nefertiti),” p. 24
#24:
“dialogo 03 (numb),” p. 37
“dialogo 04 (noah),” p. 38
#25:
“Dialogo 05 (Monster),” p. 89
“Dialogo 07 (Sugar Ray),” p. 90
#32:
From Dreamless, pp. 23-24
#36:
“Book,” p. 60
“Cyberpunk,” p. 61
“Model,” p. 62
“Punk,” p. 63
DE SOIGNE, EDUARDO
#1:#1:
“Self Portrait (Sunny-Land),” p. 31
“The Death of Ogun Panama II,” p. 32
DICKINSON, STEPHANIE
#25:
“Big-Headed Anna Tries to Recall the Girl Who Birthed Her,” pp. 40-41
“Big-Headed Anna Mops Lulu White’s Salon,” p. 42
“Big-Headed Anna and the Sticking Knife,” pp. 43-44
“Big-Headed Anna Teaches the Shucker Sass How to Read,” pp. 45-46
“Big-Headed Anna is Courted by the Crayfish Farmer, Esau Bone,”
#33:
“Mystery Cults: Harlow and the German Suicide,” pp. 11-12
“Devil’s Angel: Harlow and the Malibu Boy,” p. 13
“Weak But Willing: Harlow & the Rackets,” p. 14
#38:
“Weak But Willing: Harlowe & the Cult of the Legend,” p. 41
“Devil’s Angels: Harlowe and the Ice Cream Ballet,” p. 42
#40:
“The Orchard Cell,” pp. 12-13
DIFALCO, SALVATORE
#25:
“Transcendence,” p. 72
#29:
“Aura,” p. 39
“Close the Window,” p. 40
DIGBY, JOHN
#3:#3:
“There Was No Great Quantity of Blood,” pp. 16-19
“Absurdity,” p. 20
“Beets,” p. 21
“Skullman,” p. 22
#4:4:
“Joints Aching,” pp. 40-41
#6:6:
“Lovely Morning,” p. 100
“Your Letter is a Treasure,” p. 101
#7:7:
“In the Heart of Night,” pp. 66-67
#9:
“He Was Caught Like a Rabbit in a Snare,” pp. 69-70
#10:
“Alberti 1,” p. 26
“Alberti 2,” p. 27
“Where’s that Cat,” p. 28
“Just Desserts,” p. 29
#13:
“Absurdity 1,” p. 52
“Third Canticle for the Jumping Hole,” p. 53
“Absurdity 5,” p. 54
“Fourth Canticle for the Jumping Hole,” p. 55
“Absurdity 6,” p. 56
“Second Canticle for the Jumping Hole,” p. 57
“Absurdity 7,” p.p. 58
“First Canticle for the Jumping Hole,” p. 59
“Absurdity 10,” p. p. 60
“Fifth Canticle for the Jumping Hole,” p. 61
#17:
4 Collages, pp.79-82
#20:
“Owl,” p. 30
“Wolf,” p. 40
“Lion,” p. 41
“Bulldog,” p. 42
“Black Buck,” p.43
“Owl with Obelisk,” p. 44
“Bird Windmill,” p. 83
“Whale Boat,” p. 97
“Bird Tree,” p.111
#27:
“The Sorcerer’s Apprentice,” p. 15
“Viper Trump,” p. 16
#40:
Collages on pages 13, 22, 33, 36, 37, 45, 49, 66, 77, 97, 103, 115, and 125
DOWNS, STEVE
#29:
“Picasso/Self-Portrait,” p. 108
#30:
“Reggae Waters,” cover
“Loves Scale,” p. 36
“Classic Sound,” p. 37
“Franklin,” p. 38
“Bee Wind,” p. 39
DUCHARME, MARK
#29:
“New Lines Already Forgotten,” p. 41
“Noon in the Facets,” p. 42
“Trilke,” p. 43
#32:
“Stammer,” p. 107
“Rustic Soiree,” p. 108
“Premature Vividness,” p. 109
#35:
“Burnt Notice,” pp. 57-58
“After Once Was Before,” pp. 59-60
#39:
“Voice,” pp. 86-87
“The Drifters,” pp. 88-89
EDWARDS, SARAH
#9:
“Two untitled videos,” p. 71
ELWARD, SHANNON
#17:
“Five Explanations for Broken Breath,” p. 69
“Dear Mother: A Dream,” p. 70
“The Place I Want Cold Least,” p. 71
ENACHE, FLORINA
#23:
“Three Days in the Life of a Translator,” pp. 25-30
#25:
“Mademoiselle,” pp. 73-81
EQUI, ELAINE
#1:1:
“The Lost Object of the Suburbs,” p. 91
“O Carol,” p. 92
#8::
“Varieties of Fire in Hilda Morley (a Cento),” pp. 53-54
“A Blue Humming,” p. 55
ESTRADA DEL CID, DANIEL
The Table of Contents art for all 40 issues
#40:
“2020,” p. 10
EVANS, GEORGE
#7:#7:
“Gold Woman,” p. 35
“Untitled,” p. 36
FARR, RAYMOND
#7:7:
“Ripples of Jane & the Bomb (Seneca, NY: Circa 1969),” pp. 37-38
“Managed Care Fugue for Hortence Fuguet,” p. 39
#9:
“Scroll,” pp. 86-89
“Photogenic,” 90-91
#15:
“Charles Baudelaire: City of Empty Gestures,” p. 19
#17:
“Who Isn’t in Love with Itinerant Emotions?” p. 96
#20:
“Sleeping in a Room in Which No One Had Ever Been Happy,” pp. 77-78
“A Flaming Fucking Death Car Tattoo!” p. 79
#21:
“Too Scrupulous for Words,” p. 44
“What Is It We Bury?” pp. 45-46
“Like the Starved Indigo Butcher of Love Poems Joe Was,” p. 47
#23:
“A Gesture at the Periphery,” p. 84
“& Once He Saw Daylight,” p. 85
“Enter the Dragon,” pp. 86-87
#25:
“We Are Digging a Hole Just Big Enough?” p. 62
“Small Talk Emerald City,” p. 63
#27:
“There Is No Rocky Road or Tomorrow,” pp. 110-113
“The Perfect Yellow River,” p. 114
#28:
“A Wild Story with No Beginning,” p. 106
“Do You Read Much Modern Poetry?” p. 107
“There Is a Man Throwing His Voice,” pp. 108-109
#29:
“Unlikely Worms,” pp. 9-10
“What Instinct Precludes,” p. 11
“Café Demoiselles, pp. 12-13
#31:
“The Egyptian and and Cat-like Rain,” p. 27
#33:
“The Bars on the Cages of Paradise,” pp. 15-16
“The Big Room,” pp. 17-18
“The Empty Music of Abstraction,” pp. 19-20
“[Yr Name Here] an aisle among aisles,” pp. 23-26
FERRELL, ELLIOT
#33:
“Dialectical Dianokovich Diabolical,” p. 65
FIGUEROA-BELTRAN, JULIO
#24:
“A Silent Lightning,” p. 87
“Nearby Lights,” p. 88
FISHER, MICHAEL
#7:#7:
“Meditation,” p. 63
“Promise,” p. 64
“Ambition,” p. 65
FORREST, WILLIAM
#27:
“ECM JAZZ #5, Dave Holland,” p. 143
FOSTER, SHESSHU
#5:#5:
From Time Studies: 17, 19, and 22, pp. 60-62
11:
From Nonexistent County, pp. 65-72
#14:
Untitled, pp. 37-38
FOX, JOHN
#19:
“BWWH #318-6,” p. 17
“Evocation #30,” p. 18
FOX, WILLIAM L.
#5:#5:
From Western Australia: “Pilbara,” pp. 50-56
FRANCO, CARLOS
#21:
“I Lost Myself in the Rubble,” p. 111
“Por que me abandonaste?” p. 112
#25:
“Red Orbs,” p. 101
FRAZER, VERNON
#5:5:
“A Frayed Foray,” p. 94
“replayed in the mix,” p. 95
#21:
“Concert Toured,” pp. 101-102
#23:
“As the Bell Rings,” pp. 51-52
“Scripting the Measure of Girth,” pp. 53-54
“Name That Tuning,” pp. 55-56
#34:
“Positioning the Indefensible,” pp. 44-45
“Fame Delay,” pp. 46-47
“Orchestrating the Matter Pit,” pp.48-49
GARAITONANDIA, FRANK
#4::
“AN-21,” cover
“AN-22,” p. 76
“AX-2,” p. 77
#13:
“Walking Crop,” p. 48
GARCIA, ALEJANDRO
10:
“Science Class,” cover
“Animal House,” p. 56
“Voyage No. 1,” p. 57
“Long Distance Telephone,” p. 58
“Long Way Home,” p. 59
GARCIA, KENYATTA JEAN-PAUL
#10:
“Maybe This Time,” p. 30
“Disbanded Noon,” p. 31
“Reflection Is Really Like,” p. 32
“Better Gift,” p. 33
GARCIA, MATTHEW
#8:8:
“Modern Love,” p. 96
“A Man Deserves More,” p. 97
#10:
“Gilpin County Blues,” p. 55
#12:
“Some Fortunes Should Never Be Told,” p. 96
#18:
“Horizon,” p. 38
#24:
“Killing Floor Blues,” pp. 112-113
GARI (GARY RUSSELL SMITH)
Magazine design and title page art for all 40 issues.
#21:
“Las Puertas de Ilusion,” p. 43
GARTHE, KAREN
#5:5:
“Silent Film,” pp. 15-16
“my Liebestod,” p. 17
#8:8:
“Denise’s Party,” pp. 37-40
#9:
“Pierette, the Opera Figurine,” pp. 15-16
“((Writing to the Architecture,” pp. 17-18
“The Skipjack,” p. 19
#13:
“The Cream Bear,” p. 49
“Pidgin,” p. 50
#18:
“On My Way to You,” p.57
“banners on high,” p. 52
#21:
“Striding the Depot,” p. 40
“orthodox translucent,” p. 41
“All the Life Coaches in The Atrium,” p. 42
#24:
“Trace Walk,” p. 9
“Presentation Bouquet, Mt. Wilson,” p. 10
“Script of a night’s ocean,” p. 11
“The Robe,” p. 12
#27:
“Mill,” p. 54
“Kind drug waltz,” p. 56
“we run together,” p. 55
#30:
“Trick Monkey,” p. 11
“bamboozle green,” p. 12
“Bitter Negroni,” p. 13
“Detail,” p. 14
#34:
Untitled, p. 32
“gavel whirl pool,” p. 33
“Vine,” p. 34
“thousand times over that crazed beautiful house,” p. 35
“you can’t just walk off,” p. 36
#36:
“Great Vocal Recess,” p. 29
“Smoke on the Porch,” p. 30
“First Light of Liberty,” pp. 31-33
#38:
“pinch me out as star lit,” p. 26
“iron beams,” p. 27
“some filly Chablis,” p. 28
#40:
“Garbo Suite,” pp. 62-64
GERBER, DAN
#5:#5:
“Call Me,” p. 89
#20:
“Neruda Falls,” pp. 53-54
#35:
“Crow,” p. 81
“February 25, 1970,” pp. 82-83
GIANNINI, DAVID
#6:6:
“Cream/Donne,” p. 34
“Compass Point,” p. 35
#16:
“In the Village,” pp. 102-103
#27:
“A Moment Before Turning to Another Channel,” p. 17
#29:
“That Country,” pp. 87-88
GILBERT, DAVID
#31:
“The Fly Fishermen of Chernobyl,” pp. 22-23
#33:
“Bodyauto,” pp. 9-10
#36:
“The Tea Wallahs of Babel,” pp. 92-99
#38:
“Noah and the Nephilim,” pp. 98-106
GISPERT, LUIS
#9:
“Mark VIII—Chanel,” p. 84
“Mark VIII—Coach,” p. 85
GLANCY, DIANE
#4:4:
“She Variations,” pp. 9-11
#8:#8:
“Instructures,” p. 45
#15:
“Fort Yates Infirmary: Bull Head’s Wife Falls in a Faint at His Bed,” p. 88
“The Spirit of Bull Head’s Wife Visits the National Gallery of Art, Washington, D. C., and Views
‘The Artist’s Father Reading L’Evenement,’ Paul Cezanne”
“Bull Head’s Wife Opens Ristorante Hortense Fiquet, Fort Yates, North Dakota,” p. 91
“Bull Head’s Wife Studies Frances Glessner Lee’s A Series of Crime Scenes Reconstructed
in Miniature in the 1940s and 50s for Use in Forensics,” p. 92
“Nutshell Studies of Unexplained Death: Bull Head’s Wife Reconstructs a Mianature
of Sitting Bull’s Camp,” p. 93
#19:
“The Confessions of St. Bo-gast-ah at the Cherokee Female Seminary, Indian Territory,
1859-1864,” pp. 63-64
“St. Bo-gast-ah Hears the Confessions of St. Rufus Slab,” p. 65
“St. Bo-gast-ah Hears the Confessions of the Sea,” p. 66
“St. Bo-gast-ah Hears the Confessions of the Storm,” p. 67
“St. Bo-gast-ah Hears the Confessions of the Land,” p. 68
“St. Bo-gast-ah’s Confession to God in Later Years,” p. 69
#24:
“The Lost Notebooks of the Painter’s Wife,” pp. 29-33
#29:
“The So-Called Ostrich Speech,” p. 52
“He Have Nothing to Do the Rest of the Day but Jumping,” p. 53
“An Ordinary Day to Work,” p. 54
#34:
“Clothier,” p. 19
“Variations in Magnetism,” p. 20
“One Becoming the Other,” p. 21
“Homer,” p. 22
“Dead Reckoning,” p. 23
GLAUBER, GARY
#33:
“Classic Takedown,” p. 101
GLOVER, YUMIKO
#10:
“Moe the Floating World I,” p. 18
“Moe the Floating World II,” p. 19
#16:
“Moe Elements of the Floating World VI,” p. 31
#23:
“Moe: Elements of the Floating World IV,” p. 81
“Love Zukkun: Miss Okita,” p. 82
#38:
“Tomoko vs. Mr. A,” p. 60
GONZALEZ, RAY
#3:3:
“I Once Knew the Black Rider,” p. 28
“The Eyes of Kenneth Rexroth,” p. 29
“The Riches,” p. 30
“They Call the Mountain Carlos,” p. 31
#8:#6:
“Last Night,” pp. 12-13
#9:
“Balata,” p.9
“Eyes of a Saint,” pp. 10-11
“Give History a Chance,” pp. 12-13
“Las Brujas de la Mesa, New Mexico,” p.14
#10:
“Bald Eagle North of Shelby, Montana,” pp.53-54
#13:
“Rufino Tamayo,” pp. 73-74
“The Face of the Sun,” p. 75
“Chihuahuan Spotted Whiptail,” p. 76
“Part 462,” pp. 77-78
“Shiver into Ruin,” p. 79
“They Wait in the Movie Theaters,” p. 80
#14:
“Only Once,” p. 19
#15:
“Right Off,” p. 31
“Snow Fields on Fire,” pp. 32-33
“Max Ernst With His Collection of Kachinas, New York, 1936,” p. 34
#16:
“Jazz Musicians,” p. 20
“Phase,” p. 21
#17:
“Blue Car,” p. 15
“Ark,” p. 16
“Funny the Mushrooms,” p. 17
“Orange Blossom,” p. 18
“The Sons,” p. 19
#18:
“The Paragraph Inside,” p. 76
“Turtle Shells,” p. 77
“Waterfalls to be Forgiven,” p. 78
#20:
“A Rhino Howling at the Moon,” p. 14
“I Look at My Stones,” p. 15
“Seven Fires,” p. 16
“The Lice in Arthur Rimbaud’s Hair,” p. 17
“The Spider’s House,” p. 18
“It Flew Away,” p. 19
#22:
“barefoot father,” p. 16
“fate,” p. 17
“Andre Breton Cento,” p. 18
“Jose Luis Borges Cento,” p. 19
“Cortez y Malinche,” p. 20
“The Wind,” p. 21
“The Reenactment,” p. 22
#24:
“For Jim Harrison,” p. 13
“Black Veil and Mirror,” p. 14
“Chihuahuan Spotted Whiptail,” p. 15
“The Burning Father,” p. 16
“Town of Frijoles,” p. 17
#25:
“Geronimo’s Canyons,” pp. 50-53
“The Father’s Snake,” p. 54
“Invention of the Wheel,” p. 55
“Swept City,” p. 56
#26:
“Blue and White with Apollinaire in World War One,” pp. 50-53
“Feel Puma,” p. 54
“The Gate of Writing,” p. 55
“Because,” p. 56
“Neuro,” p. 57
“Hypnotized Slumbers,” p. 58
#27:
“Home to Stay,” p. 62
“Zen Antelope,” p. 63
“Broken Eye,” p. 64
#29:
“The Silence of Fernando Pessoa,” p. 23
“The Silence of Federico Garcia Lorca,” p. 24
“Imagine.” p. 25
“your thoughts,” p. 26
“the giver,” p. 27
#30:
“Inclination,” p. 16
“Thin Twig,” p. 17
“The Salt Stone,” p. 18
#31:
“Wifredo Lam Pinches the Testicles of God,” p.43
“No One Understands, No One Cares,” p. 44
“Manifesto Without,” p. 45
“Forgetting to Die,” p. 46
“the angel,” p. 47
“do not say it,” p. 48
“my corruption,” p. 49
#32:
“Over Here,” p. 9-10
“Joseph Cornell Dreams of the Poet,” p. 11
“Soap Bubble Set, Joseph Cornell, 1936,” p. 12
“Hexagonal Gallery,” p. 13
“Bird Ghosts,” p. 14
#34:
“A Blue Jay Lands in the Magnolia Tree,” p. 58
“Pueblo Dancers, Santo Domingo, New Mexico, 2004,” p. 59
“The Dancer,” p. 60
“Serpent Words,” p. 61
“Cliff Guardian,” p. 62
“Corpus,” p. 63
“Seventh Rebellion,” p. 64
#35:
“New Brain,” p. 23
“Jalapenos,” p. 24
“William Burroughs Kicks the Bomb,” p. 25
“Fallen Angel,” p. 26
“Galleria Mental,” 27-28
“Ahab,” p. 29
“Love or Confusion,” p. 30
“Daytime,” p. 31
“Hippie Flames,” p. 32
#36:
“Mexican Shaman,” p. 34
“Evaporate,” p. 35
“Pink Light Bulb,” p. 36
“Piwi,” p. 37
“Kiss My Clock One Time.” p. 38
“Blue Cloak Embroidered with Swallows,” p. 39
“Replicant,” p. 40
#37:
“Humid Heart,” p. 13
“Who Was I,” p. 14
“The Survivor,” p. 15
#39:
“Sadness,” p. 24
“Leonora Carrington…, p. 25
“Bead,” p. 26
“Thrive,” p. 27
“Dark Star,” p. 28
“The Hippie,” pp. 29-30
#40:
“Julio Cortazar,” pp. 28-30
“Henri Michaux,” pp. 31-33
“The Surrealist Object,” pp. 34-35
GORDON, KIT
#28:
“Prometheus Out,” p. 113
GRABILL, JAMES
#4:#4:
“Spiraling Churn,” pp. 81-82
“Spiraling Chord,” pp. 83-84
“Anything You’d Like to Ask the New Art Director?” p. 85
#8:8:
“Intercontinuation,” pp. 24-25
“Push,” p. 26
“Future Parts of the Past,” p. 27
#9:
“Current Affairs,” pp. 96-98
#12:
“Will of the Mind Falling Asleep,” pp. 42-43
“At Genetic Speeds,” p. 44
#13:
“However Many,” pp. 44-45
“The Overflow Present,” p. 46
“Heaviness of Heat,” p. 47
#14:
“The Past Present,” p. 86
“Mushroom Reverberatum,” p. 87
#16:
“Smoldering Wing-Beat Swells,” pp. 108-115
#17:
“Paradigm Torque,” pp. 33-34
“Dawn Roars Through the Cells,” p. 35
“Fluid Rips in the Fabric,” pp. 36-38
#20:
“Busload at the Metro,” pp. 25-28
“Entanglements,” pp. 29-30
“Energy on the Loose,” p. 31
#21:
“& Lost to us, of course, have been large numbers,” pp. 104-106
“& Now that the more remote ancestors,” pp. 107-110
#22:
“Through the Door to Where They Were,” pp. 120-122
#24:
“Ownership of This Device,” p. 102
“Every Volume in Starlight,” pp. 103-104
“Hieronymus Bosch Rings the Cauldron Bell Spilling Out More Farm Hands,” pp. 105-107
#25:
“Irreversible Golden Oats,” pp. 68-69
#27:
“As the Solar System Holds,” p. 67
“Resilience of the Masses,” p. 68
“Going On Before Going,” p. 69
#28:
“Reading the Air,” p. 110
“Before the Transition,” p. 111
#30:
“Grant Washington Representation,” p. 9
“She Expands and Contracts with Consciousness,” p. 10
#34:
“In the Glow of the River,” p. 27
“Poetics #41,” p. 28
“This Hour,” pp. 29-30
#35:
“Everything in Resemblances,” pp. 76-77
“Eye of the Spiral,” p. 78
“root flame,” p. 79
“nuclear bloom,” p. 80
#36:
“Remains of Veracity That Remains,” p. 104
“Remains of Hungarian Accents,” p. 105
“This,” p. 106
#37:
“As the War on Peace Spawns Gaia,” pp. 65-67
“Surrounded by the Merge,” pp. 68-69
“Remains of Mitosis,” p. 70
#39:
“She Rings Up,” pp. 16-17
#40:
“The Circumnavigation of Christopher Marlowe,” p. 133
“Haunted by the Loss of the Russian Bear and Yankee Eagle in the Atmosphere,” p. 134
GRABOIS, MITCHELL
#15:
“TV Meet My Needs,” p. 77
GRAUBARD, ALLAN
#30:
“Canal Street,” pp. 68-69
GREATHOUSE, TORRIN
#24:
“For the Ghost of My Grandmother’s Silk Nightgown,” pp. 73-74
“Born in the House of the Bending Nail,” pp. 75-78
GREGORY, ROBERT
#2:2:
“As Ralegh Says,” p. 73
#4:4:
“Script,” p. 98
“Complications, p. 99
#8:#8:
“A Shining Cloud in the Air,” pp. 76-79
#13:
“On the Topography of Our Places (Remix),” pp. 113-114
“Alternatives: Go Jump in a Hole, Go Live in a House Full of Splinters,” pp. 115-116
“Birds Come Down,” 117-118
#20:
“Just That Kind of Morning,” pp. 108-109
“The Wolf,” pp. 110-111
“These New Easy Mornings,” pp. 112-113
#25:
“Apparition,” pp. 17-19
“In a Time as Sweet as Now,” pp. 20-21
“Imaginary Entries, Fall-Winter, 19—,” pp. 22-23
#27:
“You’re Breaking Up: An Attempted Conversation Across Times,” pp. 77-79
“Between William Bradford, Wallace Stevens and Nameless Others,” p. 80
GREY, JOHN
#13:
“Baton Rouge Cemetery,” pp. 128-129
GRINWIS, JAMES
#13:
“Deoxyribonucleic Supplement,” p. 110
“Revenge Party,” p. 111
#33:
“It Was Wednesday in the Lion’s Book,” pp. 29-30
GULIN, BRANKO
#14:
“Parallel Reality, Scene 2,” p. 109
“Parallel Reality, Scene 3,” p. 110
“Parallel Reality, Scene 4,” p. 111
#22:
“Parallel Reality, Scene 227,” p. 33
“Parallel Reality, Scene 232,” p. 34
“Parallel Reality, Scene 245,” p. 35
GULISIO, TIMEA
“Woman,” p. 95
“Family,” p. 96
GUNN, DOUG
#12:
“Strange Deed,” pp. 62-70
#17:
“Smile Inn,” pp. 40-47
#21:
“Anger Management,” pp. 65-67
#26:
“Long-Term Care,” pp. 67-74
#29:
“Not Home,” pp. 55-64
GUTIERREZ, JOSE LUIS
#25:
“Here,” p. 100
GUTSTEIN, DAN
#17:
“A Circus Boundary,” pp. 92-93
“Tunnels and Entering Tunnels,” p. 94
GYORFFY, LASZLO
“The Hell of Repetition: Deadly Sins—Gluttony,” p. 125
HAGEN, ANTHONY
#30:
“Operating a Motor Vehicle,” p. 96
“Piloting an Aeroplane,” p. 97
HAGLEY, DOUG
#29:
“Light Dances with Water,” p. 95
#38:
“Woodland Caribou Contrast,” p. 107
HAIR, JIM
#3:#3:
“George Hitchcock at Home, 1973,” p. 42
“Photograph of George Hitchcock,” p. 99
HALBERSTADT, ANNA
#21:
“Looking in From the Outside,” pp. 84-85
HAPEYEVA, VOLHA trans. FORREST GANDER
#27:
4 Poems, pp. 73-76
HARMON, WILLIAM
#3:
“One Look,” pp. 73-75
HARPER, MICHAEL S.
#1:#1:
“Notes on the Long Poem (Tuscaloosa, AL),” pp. 16-17
“Ars Poetica,” pp. 18-19
#12:
“Three Gentlemen From Verona,” pp. 26-29
“Dear John, Dear Coltrane,” p. 30
#13:
“Zen: the Trainride Home to the Welcome Table,” pp. 30-31
“Zambia,” pp. 32-33
#16:
“Birdsong,” pp. 22-25
HARRISON, JEFF
#4:4:
From Postmodern Series, pp. 96-97
#5:#5:
“The Peace of Bucyrus,” p. 67
#6:#6:
“Henceforth Amytis,” p. 28
“Moth Money Declaration,” p. 29
#8:#8:
“The Sheets,” pp. 98-99
“Sugar Floor Phrenzy,” p. 100
#10:
“Raphael Bristle,” pp. 72-73
#12:
“Train Soothsayer,” pp. 73-74
#13:
“Citizen Waste,” pp. 119-120
“The Glove at Last,” p. 121
“Water Rats,” p. 122
#14:
“Body Demeanor,” pp. 45-46
#17:
“Inquiries Overgrown,” p. 68
#19:
“Mata Hari,” p. 120
#20:
“Queen Nab Masquerade,” p. 117
#21:
“Machine Chasm Photo,” pp. 98-99
“Free Kittens,” p. 100
#23:
“Of the Two Ways of Opening the Mouth,” p. 59
“The First Glimpse of Ashe,” p. 60
#25:
“Fugitive Grime,” pp. 84-85
“Weather Memorization,” p. 86
#27:
“The Word Ancient Was Just a Long Impatience,” p. 105
“A Leaf From the Faucet Hill Quarrel Book,” p. 106
#28:
“Tertiary,” p. 31
“Portico,” p. 32
#29:
“The Birth of Liquid Desires,” p. 86
#31:
“The Coquettes Transformed,” p. 57
“A Piece of My Noisy Endless Double That Echoes Forgot,” p. 58
#32:
“Birds,” p. 26
“The Mouth Considered as Two Other Ghosts,” pp. 27-28
“Passport Calf,” p. 29
#37:
“Scrubby English,” p. 102
#38:
“Ms. Virginia When Last Seen,” pp. 64-65
“Turn,” p. 66
#40:
“Sealable Krypte,” p. 43
HARRISON, JIM
#23:
“Counting Birds,” pp. 97-98
HASTAIN, J/J
#6::
From _nomadic caves_, p. 21
#8:#8:
From XYR:
“we had no paper to write it down so we just said it again and again,” pp. 11-12
“we sleep; we wake,” pp. 12-13
#11:
From Luci: A Forbidden Soteriology, pp. 100-101
#15:
“Glare and Gaze,” p. 60
From The Apophallation Sketches a Theory of Sensual Extremes, pp. 61-62
“Outing the Outline in Hopes of Filling the Silhouette,” pp. 63-64
“Never Enough,” p. 65
#18:
“Orphan Black Hole?” pp. 70-71
“Core Chord,” pp. 72-73
“Skirts at a Bar,” pp. 74-75
#21:
From Girl Myths: Subtle, Milieu Therapies, pp. 48-50
“Solar Plexus to the Heart Chakra,” p. 51
#24:
From Priest/ess, pp. 94-95
“Priestess of the Ulterior,” p. 96
#27:
From Priest/ess, pp. 45-49
“Sophia’s Fall Upward,” p. 50
#30:
From Priest/ess 20, pp. 98-102
Collage, p. 103
#33:
Two Untitled Poems, pp. 38-39
Collage, p. 40
#35:
6 Untitled Poems, pp. 51-56
#39:
“(,” pp. 18-20
HAUPTMAN, TERRY
#2:#2:
“The Red Fox in the Baby Carriage,” pp. 51-52
#4:4:
“Shattered,” pp. 24-25
#6:666666
“Salt-Memory,” p. 24
“The One-Flowered Cancer Root,” p. 25
“Shlugen Kapores,” p. 26
“Tellurian Dreams from the Lost Tribe,” p. 27
#7:7:
“Camel Scroll,” p.88
“Harmonic Resonance,” pp. 89-90
#10:
“Sulphur Sky,” pp. 46-47
“In Coldspring, Minnesota,” p. 48
#11:
“Drinking Chaga at the Hunger Banquet,” pp. 91-92
“Ofrenda,” pp. 93-94
“Bone Winds,” p. 95
#13:
“Mana Nursed by Agony,” pp. 34-35
#15:
“Impoverished Incantations: From the Raw Edge of Chutzpah,” pp. 14-15
“The Bread of Desire,” p. 16
“At Café Dante,” p. 17
#16:
“Longing,” p. 32
“The Winds of Lamentation,” p. 33
“A Crust of Holy Bread,” pp. 34-35
“Healing Poem,” pp. 36-37
#18:
“Ruach: Salting the Soul,” p. 41
“Shekinah and the Time It Takes to End Her Exile,” p. 42
#20:
“Shekinah of the Owl’s Soul,” pp. 55-56
#22:
“The Landfill Harmonic,” p. 60
“Hebrew Ballads II,” p. 61
“The Terrible Years,” p. 62
#27:
“Heartbeat,” p. 9
“Rubies in the Mud,” p. 10
“Diaspora,” p. 11
From The Book of Splendor, p. 12
“El Dia de los Muertos,” p. 13
“Caracol of Souls II,” p. 14
#30:
“Return to La Paz: Peace Be With You,” pp. 87-88
“Blood Moon,” pp. 89-90
“Angel With a Broken Wing 3,” p. 91
“Dream,” p. 92
“Duende’s Black Sounds,” p. 93
#31:
“Struggle is a Prayer for Hope,” pp. 20-21
#34:
“Angel of Harlem,” pp. 65-66
“Extravagaria,” p. 67
#35:
“Chimeras of False Promises and Grief,” pp. 37-38
“Gate of the Sun,” p. 39
#37:
“At Empanadas Café,” pp. 99-100
“Dark in Radiance,” p. 101
#38:
“Tribes,” p. 108
“Aleph,” p. 109
“Azure,” p. 110
#39:
“Maestrapiece: The Women’s Building, San Francisco,” p. 79
“El Illuminado (d. 1596),” p. 80
#40:
“The Psalms of Qumran,” p. 136
“Amulet II,” p. 137
“Cupping,” p. 138
HECTOR, YASSER
#11:
“globo,” p. 61
“fork,” p. 62
“mail,” p. 63
“hand,” p. 64
HEDGECOKE, A. A.
#2:2:
“Carcass,” pp. 91-92
“Noodling,” pp. 93-94
#3:”’’’’’’’’’’’’’’’’’
“Eddy Lines,” pp. 36-37
#7:7:
“Was Morning Call,” pp. 78-79
#15: From Burn, pp. 27-30
HELLEN, KATHLEEN
#29:
“The MacGuffin,” p. 14
“Teacup Monkey,” p. 15
#36:
“hopelessness my radiant transition,” p. 91
HEMAN, BOB
#1:#1:
From Information pp. 14-15
#6:6:
From Information, pp. 72-73
#10:
From Information, pp. 20-21
#15:
From Information, pp. 47-50
#19:
From Information, pp. 28-29
#20:
From Information, pp. 93-95
#31:
From Information, pp. 24-26
#20:
“Postcard #10,” p. 33
“Postcard #15,” p. 34
#24:
From Information, pp. 114-116
#26:
From Information. pp. 59-62
#28:
From Information, pp. 65-67
#30:
From Information, pp. 58-61
#33:
“The Arrival (IX),” p. 27
“The Arrival (XI),” p. 38
#35:
From Information, pp. 16-18
“The Arrival (XXXVIII),” p. 19
#38:
“The Removal,” p. 87
From Information, pp. 88-90
#40:
From Information, pp. 106-109
“Lessons,” p. 110
“Stove-Alphabet,” p. 111
HEMMINGS, KYLE
#12:
“Geography of the Dark Lobes,” p. 93
“Tight Shoes,” p. 94
HERRICK, LEIGH
#6:#6:
“Remittance,” pp. 61-62
“in the templed margins of narrow,” p. 63
11:
“Ashes,” p. 105
“Apostolic Fractal,” p. 106
#17:
“toccata,” p. 22
“Reading Levi,” p. 23
#19:
“Hawk Poem #5,” pp. 30-31
“Hawk Poem #6,” p.32
#21:
“a becoming if,” p. 75
#22:
“Hawk Poem #4,” p. 71
#29:
“When in the Night You Wake to It,” pp. 28-29
#30:
“inequinox,” p. 45
“Passage of Time,” p. 46
#40:
“ineluctable” p. 112
“if I lived here it would be,” p. 113
HERRICK, LEIGH AND THOMAS CASSIDY (MUSIC MASTER)
#26:
“Map 1,” p. 89
HICKS, ALISON
#13:
“Red-Headed Woodpecker,” p. 83
HIDALGO, HOMERO
#2:#2:
“Last Thoughts,” cover
“The Tempest,” p. 54
“Untitled (Girls),” p. 55
#8:8:
“Two Untitled Collages,” pp. 104-105
#15:
“Pond,” p. 25
“Ripples,” p. 26
#19:
“Trompetas de oro,” p. 70
“Territory,” p. 71
#29:
“collar,” p. 77
“tussle,” p. 78
“medley,” p. 79
“don’t look up,” p. 80
#34:
“la de los cachos,” cover
“canadia,” p. 37
“forest painting,” p. 38
“iceberg,” p. 39
“jardin con ojos (harlequin),” p. 40
“power chord (1),” p. 41
“May 7,” p. 42
#40:
“Ghost Dog 2,” p. 126
HIDALGO, TOMAS SANCHEZ
#24:
“Tyrannosaurus,” pp. 117-118
#29:
“Sound,” p. 38
HITCHCOCK, GEORGE
#3:3:
“La Cena,” cover
“Untitled,” p. 44
“Untitled,” p. 45
“Entering the Forest,” p. 46
“Spring Promenade,” p. 47
“Playmates,” p. 48
“Time to Open the Doors of Absence,” p. 49
“Query,” p. 50
“Untitled,” p. 51
“Varlet Lost,” p. 52
HOFFMAN, ERIC
#17:
From Emerson in America, p. 95
HOGAN, WAYNE
#7:#7:
“One-Wheeler,” p. 119
#11:
“Image 5,” p. 96
“Image 7,” p. 97
#15:
3 Collages,” pp. 94-96
#17:
Untitled, p. 67
#31:
A Wayne Hogan Portfolio, cover and pp. 51-56
#32:
“2 Pieces,” pp. 11-112
#33:
Untitled, p. 104
#34:
2 Pieces, pp68-69
#35:
“Page 1,” p. 117
“Page 2,” p. 118
#36:
2 Pieces, pp. 112-113
#37:
2 Pieces, pp. 109-110
#38:
2 Pieces, pp. 113-114
#39:
2 Pieces, pp. 106-107
#40:
2 Pieces, pp. 131-132
HOLDEFER, CHARLES
#5::
“Story Problem,” p. 98
“Community,” p. 99
#10:
“Dick on a Plank,” pp. 61-62
“Bald Romeo,” p. 63
“Magic Even You Can Do,” pp. 64-65
#16:
“Magic Even You Can Do,” pp. 121-122
#33:
“Kickstart Me Harder, Harder,” pp. 72-73
HOOVER, PAUL
#5:5:
“go now and tell the children,” p. 78
“ringing with each wave,” p. 79
HOUSTMAN, DALE
#5:5:
“I Am Not Cheap, I’m Pretty,” p. 100
“The 20th,” pp. 101-103
#9:
“Beach Scene (With Concertina) pp. 20-21
“Shrfty,” p. 22
“The Hotel Elephant,” p. 23
#10:
“3 Images from Her Yearning Notepad, p. 80
#13:
“What Vending Machine,” p.36
“UBU Watch Ad,” p. 37
“The Romance of Indictment,” pp. 38-39
“Remote Precisions,” pp. 40-42
“Shelter From Unearned happiness,” p. 43
#16:
“America,” pp. 9-13
“Mother Is Giving Birth to the Next President!” p. 14
“Break Time,” p. 15
#17:
“The Blossom Eased Against the Pane,” pp. 59-66
“The Red Hook,” pp. 61-62
“An Astonishment of Butterflies,” p. 63
“The Lynx-Eyed Bride,” p. 64
#19:
From The Somnambule’s Crime:
“Litterature (Still Under Consideration) pp. 81-82
“The Gratuitous State,” 83-84
“The Creation of a Diorama,” 85-86
“Posthumous Iceberg,” p. 87
“You Who Have Known Me,” p. 88
#20:
From The Somnambule’s Crime:
“Coffee Before Touring the Pyramids,” 68-69
“In the Dinghy,” pp. 70-71
“Something Stirring at the Airport,” pp. 72-73
“The Unerring Approacher,” p. 74
“Up the Driveway with Alice,” p. 75
“Wounded Wonder Excused From School,” p. 76
#21:
“Any Medium-Sized Body of Water,” pp. 52-53
#23:
“Two Little Things,” p. 77
“Three Betweens,” pp. 78-79
“Three Pieces Containing ‘Volcano’,” p. 80
#24:
“Typicality vs. Topicality,” pp. 98-99
“Three Tea Poems,” p. 97
“The Modesty Network,” p. 100
“The Malcontent Sleeps,” p. 101
#26:
“about,” pp. 16-17
“No More Midnight Cookies,” p. 18
“The Group, the Phoenix, the Night,” p. 19
“In June (Jewels on Our Pajamas),” p. 20
“Hollywood Film Set,” p. 21
“The Earth at First Was Little and Glided,” p. 22
#27:
“a charming boat,” p. 81
“a bouquet of language,” pp. 82-83
“the Paris of rodeos,” p. 84
“Allegory of Domestic Bliss (Botticelli Mutation)” p. 85
#31:
“Nature’s Owner’s Manual,” p. 12
“Self-Consciousness,” p. 13
“Peninsula governance,” p. 14
“No More Midnight Cookies,” p. 15
“Poor Duchamp!” p. 16
“To the Barricades!” p. 17
“Glommu’s Assistant,” p. 18
“Gale Storm in Hell,” p. 19
#33:
“Zeitgaz,” cover
“There Was a Man Inside the Air,” p. 53
“Tortuous Dreambait,” p. 54
“Luxury Discharge,” p. 55
“The Dainty Logic,” p. 56
“So, Waiting—,” pp. 57-58
“This Reluctant Nothing,” p. p. 59
#39:
“In a Corner,” pp. 21-22
“Madame Finance,” p. 23
#40:
“Turned On and Discoverable,” pp. 67-73
“Dr. Trump Is In,” p. 74
“The Mask of Ardent Hygiene,” p. 75
HOYES, BERNARD
#23:
“Mami Wata,” p. 58
HUDECHEK, ROBIN
#17:
“Pearls scatter on my bed,” p. 101
#19:
“Tombstones Like Clouds,” p. 9
“Waking Up With a Migraine,” p. 10
“Travel,” p. 11
“Blood Walk,” p. 12
“Night Shadows,” p. 13
#23:
“Pharaoh’s Night,” p. 83
#25:
“The Gods Play Pool with the Stars,” p. 26
“The Day the Lights Went Out,” pp. 27-28
“Wind,” p. 29
“A Bird Sings,” p. 30
#40:
“The Dead Magician,” pp. 127-128
“Lucifer’s Wings,” pp. 129-130
INEZ, COLETTE
#2:2:
“Cro-Magnon Haikus,” p. 40
IZQUIERDO, FRANK
#13:
“El Inventario,” p. 19
“The Exit,” p. 20
#23:
“Pockets Full of Money, Heart Full of Demons,” p. 63
“Legacy (The Sixth Extinction),” p. 64
JAMES, DAVID
#16:
“The Last Page From Twenty Unpublished Novels,” 92-93
#25:
“As Time Goes On,” p. 102
#33:
“What I Want in a Work of Art,” p. 66
“Religion of an Idiot,” p. 67
JAX NTP
#14:
“neurosity VIII,” p. 21
“neurosity XI,” pp. 22-23
#15:
“ante meridiem III,” p. 56
#18:
“Something About Clarity,” pp. 97-98
#21:
“of tendencies, pin it,” pp. 13-14
“when light filters back in a peephole,” pp. 15-16
#23:
“Neurosity XXXIII,” p. 71
“of tendencies: novellust, milkheavy,” p. 72
#32:
“bones for oracles yours or found baby teeth unidentified,” pp. 30-31
“ovary picking,” pp. 32-33
“on pause, in the kitchen, mid-julienne,” p. 34
“bone broth,” p. 35
JOHNSON, MICHAEL LEE
#35:
“Reincarnation (V4),” p. 84
JORON, ANDREW
#1:1
“The Person,” pp. 38-39
#7:#7
“To the Third Power,” pp. 9-10
#11:
“Whisper in Agony,” p. 98
“Nether Ether,” p. 99
#13:
“Define Lion,” p. 106-107
#27:
“On Revision,” pp. 101-102
KAHL, TIM
#3:#3:
“On the Surface of this Serious Desert,” pp. 67-68
“The Pull,” p. 69
#5:5:
“No One Speaks Potato Anymore,” pp. 104-105
#8:#8:
“Beyond the Last Planet,” pp. 101-103
#10:
“Viscose, Rayon, Modal, Tencel,” p. 52
#12:
“The Eyes of the Jumping Spider,” pp. 13-14
“A Luxury Paper,” p. 15
“Blind Force and Chance,” p. 16
#13:
“Little eBird,” p. 91
“Die My Dining Light,” p. 92
“A Silent Fever,” p. 93
#15:
“Deft Do You Appear,” p. 101
“At the End of Brown,” p. 102
“Bath House,” p. 103
#19:
“An Open Door to the Mind,” pp. 61-62
#21:
“The Diverted River, pp. 9-10
“Angel Island,” pp. 11-12
#23:
“Emotion Systems,” p. 31
“The White Lights,” p. 32
#25:
“A Map of the Splendid,” p. 48
“The Central Memorial,” p. 49
#29:
“Central Valley Grateful Arc,” p. 16
“Kinnickinnick,” p. 17
“The New Opioids,” p. 18
“Phylogeny,” pp. 19-20
#32:
“The Day Jimmie Rogers Was Born,” pp. 67-68
“Pluripotent Connectome,” p. 69
“Monster,” pp. 70-71
“Concerto for Single Reed Coon Squaller,” pp. 72-73
“The Blueness of the Blue,” pp. 74-75
“Sirtuins,” pp. 76-77
“Dance of the Rattus Norvegicus,” pp. 78-79
#35:
“The Land of Cockayne,” pp. 33-34
“The Tribe,” p. 35
“Emotive Reactants,” p. 36
#38:
“The Origins of Rice Wine,” p. 48
“The Ravenous Brain,” p. 49
“A Patient Heredity,” p. 50
#39:
“The Secretary of the Future,” pp. 9-10
“Validating Turbulence,” pp. 11-12
#40:
“Nerudada,” pp. 76-77
“Toten Hosen [Dead Pants],” p. 78
“The Choice of Trails,” p. 79
“The Origin of the Neuron,” p. 80
KALAMARAS, GEORGE
#1:#1:
“Before I Could Speak,” p. 46
#2:#2:
“Narrative Complexity,” p. 43
“The Tender Cadaver of Everyone’s Left Big Toe,” p. 44
“Translation Involves Sacrifice,” p. 45
#5:#5:
“After Broken Talk,” p. 28
#7:7:
“Me. Mine. Moist. Exposed in the Medicine Bow,” pp. 32-33
“My Death is Already a Suspicious Palm Reader,” p. 34
#8:8:
“The Valley of Jehosaphat Reconfigured,” pp. 51-52
#9:
“Archaeology,” p. 64
“Everything I have Ever Sad Somehow Says Through You,” p. 65
“If You Asked Me to Come Back,” p. 66
#13:
“Letter to Larry from Bellvue,” pp. 62-64
“Letter to John Olson from Denver,” pp. 65-66
“Letter to Lori from Big Timber,” p. 67
“Letter to Judy from Colorado Springs,” pp. 68-69
#15:
“The Word Love,” pp. 9-10
“Visited by a Surrealist,” p. 11
“Rich with Sheep,” p. 12
“Five Days Straight,” p. 13
#16:
“Such a Small Thing,” p. 88
“The Tragus of the Ear,” p. 89
“Syllabary,” p. 90
#18:
“Letter to Jim from Rifle,” pp.88-90
“Little Infinite Poem, Or Letter to Bob from Everywhere at Once,” pp. 91-93
“Slip-Tonguing in the Dark,” pp. 94-95
#19:
“Shortly After,” p. 50
“In My Arms,” p. 51
“The Sorrow of Taking Suck,” p. 52
“Political Bone Sutra,” p. 53
“A Ravenous Pissing Among Leaves,” p. 54
#21:
“A Father Kisses His Daughter Goodbye,” pp. 35-36
“Okay, at Last the Smelling Salts,” pp. 37-39
#22:
“Letter to Reg from Cheyenne,” pp. 28-29
“Letter to John Tritica from Ouray,” pp. 30-31
#23:
“Bathtub Oils and Historical Bones,” p. 18
“Mantra Diksha,” p. 19
“Blood Hook,” p. 20
“The Blood of the Poet,” p. 21
“The Methods of Production,” p. 22
#24:
“One Night,” pp. 56-57
“Snow on the Backs of Animals, Letter to Dan from Centennial,” pp. 58-59
“Letter to Paul from Timnath,” pp. 62-63
#26:
“The Chain Wheel of Alfred Jarry’s Bicycle,” pp. 10-11
“Scraps of Said: Paul Celan’s Journey to Upper Volta,” pp. 12-13
“Eulogy for Miklos Radnoti, After the Body Exhumed,” pp. 14-15
“The Little Broth of a Train in the Distance Boiling Down to Nothing: Remembering Alvaro
Cardona-Hine,” pp. 122-129
#27:
“Almost Autumn,” p. 65
“A Pitiless Expanse,” p. 66
#28:
“Something Private and Sly,” pp. 51-52
“Curious,” p. 53
“There Are Many Beards in Way One Sleeps,” p. 54
“Klebnikov, Drawing of a Frog, ca. 1900,” pp. 55-56
#29:
“Orpheus, Eurydice, Rilke,” pp. 66-67
“Rocco Scotellaro and the Lumps of Salt,” pp. 68-70
#30:
“They Said Focus in What They Thought Was a Focused Way,” pp. 19-20
“The Texture of Milk,” p. 21
“Ravens Dirging My Chest,” p. 22
“Almost Imaginable,” p. 23
#31:
“Christos Anesti, Andreos Embiricos,” pp. 59-60
“The Cinders Cendrars Left Us With,” pp. 61-63
#32:
“The Cause and Effect of Multiple Births,” p. 40
“The Healing Seam,” p. 41
“If We Could Practice Each Other, We’d Be the World,” p. 42
“Trying to Track Down Your Least-Open, Your Cracking-Closed Heart,” p. 43
“Paul Eluard in Indo-Chine, 1924,” pp. 44-46
#33:
“Vicent Huidobro’s Creation of Cosmic Debt,” pp. 23-26
#34:
“Respectable Paragraph (On Making Love to a Literary Preface),” p. 50
“You Say I Fancy the Empty Drift,” p. 51
“Tell Me the Buddha-Fields,” p. 52
“I Don’t Know How to Tell You,” p. 53
“I’d Be Put in a Horse,” p. 54
#35:
“Kinoshita Yuji and Pharmacology as Despair,” pp. 44-47
“Further Questions that Neruda Never asked During the Eclipse in His Book of Questions,” pp. 48-49
#36:
“Night Dreamer,” pp. 55-56
“Everybody Digs Bill Evans,” pp. 57-58
“If You Examine This Membrane,” p. 59
#37:
“Blue Note 1595,” pp. 85-87
“Eighteen Eighteen-Word Short Stories About Charles Mingus,” pp. 88-90
“Roll Call: How We Listen to the Listening as It Breathes,” p. 91
“The Roundness of Now,” p. 92
“You Held of Me,” p. 93
“They Contain Their Sorrow,” p. 94
“The Sorrow of Listening,” p. 95
“A Certain Stain of Rain,” p. 96
#38:
“Monk’s Dream in Four-Four Time,” pp. 75-76
“Blue Train,” pp. 77-82
“All Night in a Silent Way,” pp. 83-84
“Let’s Begin with the Way Stars Work,” pp. 85-86
#39:
“Turiya and Ramakrishna,” pp. 45-47
“Forrest Fire,” pp. 48-49
“The Belt of Equatorial Calms,” p. 50
“More Monk Than Mouth,” p. 51
“Where the Stinging Might Sing,” pp. 52-60
#40:
“Sonny Rollins: A Night at the Village Vanguard,” pp. 96-97
“Six Thousand Gold Pieces Buy the Lingering Death,” p. 98
“The Burning, If Not Elegant Then Exact,” p. 99
“But You Thought Differently,” p. 100
“In You,” p. 101
“If I Were to Die Tonight I Would Be One Day Younger,” pp. 102-103
KAUFFMAN, JANET
#6:6:
“Before Writing,” p. 9
“Some Intermittency,” p. 10
“Until the Flood,” p. 11
#11:
“my father tells me,” p. 15
“through the garden,” p.16
“oh, corporeal,” p. 17
“his coordinates,” p. 18
“composed,” p. 19
#16:
“Lay of the Land,” pp. 16-19
#20:
“Undercurrent,” pp. 9-10
#22:
“Zooplankton and more,” p. 23
“Eco-dementia,” p. 24
“The knife in the fish,” p. 25
“Abandoned,” p. 26
“He’s seen it crawl,” p. 27
#24:
“Reparations,” p. 19
“In the aftermath,” p. 20
“Instead of flying in water,” p. 21
“Long knives are shelved,” p. 22
“A warring machine,” p. 23
“Spray Irrigator,” p. 24
“Tanker Spray,” p. 25
#36:
“The Democracy of Debris,” pp. 9-10
“after the flood St. Joseph Cr,” p. 11
“after the flood Spruce Grove,” p. 12
“after snow melt deer hair,” p. 13
#40:
From The Book of Nails: 3 & 5, pp. 88-89
KAUFMAN, SHIRLEY
#3:#3:
“Legs,” pp. 64-65
“Take a Deep Breath,” p. 66
KAYSS, SARAH
#14:
2 Pieces, pp. 88-89
KENTWORTZ, RAVITTE
#30:
“In Her Bed, a Thing in Elements,” pp. 55-57
KERKELA, TRAVIS
#5:#5:
“House,” p. 18
“Vitriol,” p. 19
KESSLER, STEPHEN
#3:#3:
“Houseguest in a Gated Neighborhood,” pp. 71-72
KINGSTON, MAXINE HONG
#4:
“An Interview with Maxine Hong Kingston,” pp. 35-49
KLEINBERG, J. I.
#27:
3 Found Poems, pp. 93-96
KOMOR, ZOLTAN
#12:
“Tub Hussars.” pp. 9-12
#13:
“The Dead Chihuahua,” p. 103
#14:
“The Swine Wizard,” pp. 29-31
“Flamingos in the Ashtray,” pp. 32-36
#16:
“The Wild Bull,” pp. 69-73
#17:
“The Violin-Fishers,” pp. 74-78
#18:
“The Meat Jelly Lover Boy,” pp. 43-47
#20:
“Prego Peggy,” 98-103
#22:
“Pillow Pyre,” pp. 72-75
#28:
“Cayman Cradle,” pp. 73-75
#31:
“The Country Teacher,” pp. 32-35
#36:
“The Great Washing Day,” pp. 87-90
#38:
“The Womb Tailor,” pp. 67-70
KOSTELANETZ, RICHARD
#10:
6 from Ghosts, pp. 40-45
#20:
From Rondelays
“Bingo,” p. 91
“Peninsula,” p. 92
#33:
“Facts’ Fictions,” pp. 43-52
#38:
“Short Tales on My Name,” pp. 111-112
KOWALEWSKY, CHRISTIANE
#32:
Zeichen & Wunder/ Signs & Wonders, cover and pp. 36-39
#38:
“Wonder Theatre! No. 126,” p. 94
“Tauschung und Tarn, No. 127,” p. 95
“The Visit, No. 131,” p. 96
“A Second-Hand Insight, No. 139,” p. 97
KREUZE, DEBORAH
#13:
“Rhapped in Blue,” p. 72
KUHN, CHRISTINE
#3:3:
“Dream of a Benevolent God,” p. 32
“Interrogation,” p. 33
“Fueling Up,” p. 34
“A Single Dad on Saturday,” p. 35
#8:
“Adam and Eve in the Garden,” p. 94
“Jesus and the Businessman Angel,” p. 95
11:
“Play Date in Gaza,” p. 49
“Nobody’s Little Princess Anymore,” p.50
“Dialogue Obama,” p. 51
“Death and the Professor: Ignoring the Facts,” p. 52
“Pretty Polly,” p. 53
#14:
“Big Dog Mural,” p. 72
#18:
“Baggage Carrying Concepts,” p. 82
“Hermit,” p. 83
#19:
“Maman Giraffe,” p. 48
“My Precious,” p. 49
#23:
“Athlete,” p. 90
“Headshot of an American,” p. 91
#28:
“Roommates,” p. 70
“Butch,” p. 71
“Lucky in the Winner’s Circle,” p. 72
#30:
“Talkative Friend,” p. 15
#36:
“Discovery,” p. 80
“Life Is Good,” p. 81
#40:
“Revelation of Shambala,” p. 41
“A Quiet Life,” p. 42
LABANINO, ALVARO
#10:
“Juan Jose,” p. 81
#12:
“Symphony of the Marionettes,” p. 71
“Raul Trujillo,” p. 72
#23:
“Something’s Calling,” p. 95
#28:
“Black #1,” p. 97
“Black #2,” p. 98
“Black #3,” p. 99
#37:
“I the Traveler,” p. 97
“Great Unknown,” p. 98
LACY, TYLER
#10:
“Five Mediterranean Poems About Poetry,” p. 86
LAMB, JOE
#6:#6:
“How to Make a Silk Purse Out of Sows’ Ears,” pp. 69-71
LAN, YUAN-HUNG
#7:#7:
“Bedroom 1, Number 3,” p. 80
“Bedroom 1, Number 10,” p.81
#16:
“Falling 1,” p. 74
“Falling 2,” p. 75
#17:
“Still 1,” p. 102
“Still 2,” p. 103
“Falling 3,” p. 104
LAO, LINETTE
#1:1:
“Mother Tongue,” p. 43
Untitled, p. 43
#4:4:
Untitled, p. 48
“Candy Box,” p. 49
#31:
“New Fires,” pp. 40-41
“Ice Cream,” p. 42
#36:
“Harlem 1930-1939,” p. 21
“Colossal 1,” p. 22
“Colossal 2,” p. 23
“Colossal 3,” p. 24
#40:
“observatory,” p. 94
LAPINSKY, STEVE
#20:
“In the Crumbling Blacksmith Shop of My Father’s Ear,” p. 118
#31:
“False,” p. 64
“Penny,” p. 65
“We Burn Stuff,” pp. 66-67
LAPPIN, LINDA
#3:#3:
“12 Poems for Cezanne’s Black Clock,” p. 98
LARSON, BENJAMIN
#6:#6:
“A Love Letter to Annelise Michel,” p. 85
#12:
“Holy Minister of the Gull Feather,” p. 95
LAUDATI, SCOTT
#31:
“My Suitcase is Packed,” p. 39
LAWRY, MERCEDES
#6::
“Transportation,” p. 20
#8:8:
“The Lesser Creatures,” p. 21
“Pluck,” p. 22
“No Reverse,” p. 23
#11:
“My Anxiety Goes Barefoot in the Snow,” p. 54
“The Climb,” p. 55
#16:
“In the Shallows,” p. 28
“Placeholder,” p. 29
#19:
“After Zero, One,” p. 19
“Basis,” p. 20
#23:
“A Way Out,” p. 15
“Traveling Light,” p. 16
#28:
“Regime Change,” p. 16
“Bone Dry,” p. 17
“Reading ‘M Train’,” p. 18
#31:
“Fixed Income,” p. 30
“Endings,” p. 31
#38:
“In the Journey, the Relinquishing,” p. 73
“Evasion,” p. 74
LEE, ALEXA
#4:
“Portrait,” p. 117
#11:
“Sun,” p. 130
#21:
“T. Rex,” p.123
LEE, ZOE
#25:
Untitled, p. 104
LEVINSON, HELLER
#2:2:
“lines like parlous adumbrate,” pp. 83-84
#4:
“two hats,” p. 47
#9:
“the road to melancholy road,” p.58
#18:
“aperture like indemnified alert,” p. 84
“aperture like preordained synchronicity,” p. 85
#20:
“polymerizing alphabets on irregular incline,” p. 96
“querying oscillative from collapsible cordon.” p. 97
#22:
“tenebraed to a,” p. 82
#23:
“tenebraed to an enameled latency,” p. 92
“aperture nozzles,” p. 93
#24:
“tenebraed to black,” pp. 89-91
#26:
“tenebraed to lamentation,” p. 114
“tenebraed to lamentation 1,” p. 115
#28:
“lustre,” p. 112
“the trail to famished trail,” p. 113
#32:
“In the pith of fulcrum,” p. 25
#34:
“askew in the frame of night,” p. 43
#38:
“The Infra-Intra-Ultrapolational Migration,” pp. 21-23
“Monk-Like,” pp. 24-25
#39:
“Drumsticks,” pp. 98-99
“The Upright Bass,” pp. 100-102
LI BAI trans. HONG AI BAI and JOHN DIGBY
#24:
“The Moon Over the Border Mountains,” p. 55
LIFSHIN, LYN
#4:#4:
“Blue at the Table in the Hot Sun,” p. 86
“Letter,” p. 87
“How It Slams Back, a Letter Used as a Bookmark,” p. 88
“July 23,” p. 89
#5:5:
“Montmartre,” pp. 90-91
“Forced Buds,” p. 92
“I Lift My Mother to the Commode,” p. 93
#7:#7:
“Don Juan’s Reckless Daughter,” p. 95
“Nothing Can Be Done,” p. 96
“Paprika Plains,” p. 97
#10:
“Ring,” pp. 22-23
“Blue at the Table in the Hot Sun,” p. 24
#15:
“The Dark Lakes at Night,” p. 75
“Sleeping with Horses,” p. 76
#16:
“Corner of Melancholia & Implication,” p. 30
LIMAREV, ALEXANDER
#32:
“Dark Blue Traces—Material Presence,” p. 90
“Neon Pink Traces—Material Presence,” p. 91
“Ether—Subtle Variations (Part I),” p. 92
LINTON, GARFIELD
#2:2:
“Marked With Many Stripes,” pp. 56-66
#33:
“Grandpa Kauzpa,” pp. 60-64
LIPSITZ, LOU
#3:3:
“Variations on a Line by William Carlos Williams,” pp. 88-92
“On Not Writing,” p. 93
#22:
“My Job,” pp. 101-102
“Letter to a Friend Dead One Year,” pp. 103-104
LIU, TIMOTHY
#14:
“Love Poem,” p. 65
“No Regrets,” p. 66
#20:
“Infidels,” p. 47
“As Far As Cho Fu Sa,” p. 48
“Legacy,” p. 49
“He Held,” p. 50
#27:
“Country Music,” pp. 86-87
“Ode to My Fundamentalist father,” pp. 88-90
LIU, TIMOTHY & HANSA BERGWALL
#5:5:
“A swing set in a refuge for broken logic,” p. 57
LLANES, REYNIER
#21:
“The Expulsion,” p. 17
LOTTI, JEFREID
#10:
“The Fruit Cellar,” p. 66
“Body,” p. 67
#13:
“Mama,” p. 81
“Re-encuentro,” p. 82
#15:
“Mad Girl,” cover
“The Kiss,” p. 51
“Wrapped,” p. 52
“Iron,” p. 53
“Threat,” p. 54
“Mas-Conde,” p. 55
#19:
“Two Untitled Charcoals,” pp. 39-40
#22:
“La Cola,” p. 47
“M4,” p. 48
“Graffiti,” p. 49
#32:
“Bronca,” p. 47
“Stairs to Mom’s House,” p. 48
“Ducha,” p. 49
#36:
“Fallen Palms,” cover
“Raft,” p. 41
“Nightmare,” p. 42
“Bodegon,” p. 43
“First Estudio,” p. 44
#39:
“Stairs with Pipes,”
“Wet Sketchbooks,” p. 82
“Wet Sketchbook III,” p. 83
#40:
“Study for Third Door,” p. 139
LOWINSKY, NAOMI RUTH
#27:
“Angel of the Not Yet Known,” p. 24
“Shades of the Gathered and Gone,” p. 25
LUCAS, BRIAN
#4:
“Field,” p. 26
#7:#7:
“New Eyes,” p. 61
“Floragram,” p. 62
#14:
“Diatomic Wound,” p. 47
“Saturnal Camouflage,” p. 48
#23:
“Turned In,” cover
“Agarthan System II,” p. 41
“The Lucasian Calendar,” p. 42
“Surface Sample,” p. 43
“PRPL SLR NR,” p. 44
#39:
“Welcome Abroad,” cover
“The Old Weird,” p. 31
“The Internal Program That Leads One Astray,” p. 32
“World Feasting,” p. 33
“Dawn Moment,” p. 34
LUX, THOMAS
#33:
“Every Time Someone Masturbates God Kills a Kitten,” p. 94
LYNCH, LINDA
#2:#2:
Untitled, p. 82
MACKEY, NATHANIEL
#4:#4:
From Song of the Adoumboulou: 88, pp. 58-64
#15:
From Song of the Andouboulou: 120, pp. 37-42
#25:
“Soon-Come Sophie I’s Insofarian Tryst,” pp. 9-16
MAGGIO, BARBARA
11:
Untitled, p. 122
MAGOWAN, ROBIN
#1:
“In a Doorway,” p. 95
“Zero,” p. 96
“Bittersweet,” p. 97
MARTIN, CAMILLE
#13:
“Blink,” p. 51
MASSIMILA, STEPHEN
#24:
“Oil Flew into the Sea,” pp. 92-93
#37:
“Aurora,” p. 108
MCCLUSKEY, JOHN
#26:
“Plate 1,” p. 101
“Plate 3,” p. 102
MCGRAW, DELOSS
#18:
“Front Porch Girl Has a Premonition,” p. 24
“Sally Bowles,” p. 25
“The Coffee Cup,” p. 26
MENDIZABAL, J. C.
#31:
“The Name in My Mind,” p. 107
MENDIZABAL, PIKI
#21:
“Sobrevivencia,” cover
“Sunset,” p. 86
“Habanera,” p. 87
“Solar,” p. 88
“Balcony,” p. 89
#38:
“The Wasted Land,” p. 19
“Mar Abierto,” p. 20
MILES, BRIAN
#10:
“Fun,” pp. 93-95
MINDELL, RACHEL
#12:
“The blue of flame is cold late summer,” p. 22
“Down Dear,” p. 23
“Spice,” p. 24
MINTZER, ELAINE
“Perturbations,” p. 82
MIRZA, SETH
#13:
“butterfly’s drill [choking all gardens],” pp. 100-101
“jaded days of oversaturation,” p. 102
MOHR, BILL
#2:2:
“The Rogue Moon’s Drum Machine,” pp. 67-68
#7:7:
“The Poachers,” pp. 98-99
#17:
“Speed Ratios,” 24-29
#25:
“The Transversal,” p. 57
#27:
“Echolocation,” pp. 121-133
#28:
“Centered Recoils,” pp. 87-96
#33:
“Background Check,” p. 41
“Clemency,” p. 42
MOLERIO, YAMEL
#6:
“Moving On,” p. 22
“Made in China,” p. 23
MONTENEGRO, PHILDOUGH
#33:
“I Had,” pp. 97-98
MOORE, ELLENE GLENN
#19:
“Grandes Exitos on I-75,” p. 78
“Love Poem With River,” p. 79
“Everglades,” p. 80
#28:
“Homage in Carmine and Folly,” p. 57
“Homage in Gold and Grey,” p. 58
“Homage in Onyx and Grey,” p. 59
#39:
“Hand Mirror in Bronze,” p. 13
“Seeing a Study for ‘The Burghers of Calais’ at a Museum in Cleveland,” p. 19
MORALES, ALEXANDER
#12:
“Subpayaso,” p. 78
“ABC,” p. 79
MORPHEUS, MATTHEW
#30:
“The First After God,” p. 24
“Conquistador,” p. 25
MURPHY, SHEILA E.
#2:#2:
From American Ghazals, pp. 69-72
#4:#4:
From American Ghazals, 101-104, pp. 100-103
#7:#7:
From American Haibun, 136-140, pp. 11-15
#10:
“Peer Revue,” p. 60
#13:
“Herm,” p. 105
#16:
“Asemic 1,” p. 94
“Asemic 2,” p. 95
#18:
“Come Near,” p. 79
From Lauds (21), p. 80
“unsigned,” p. 81
#19:
“Four Letters to the Young,” pp. 74-77
#24:
From Lauds, 36 and 39, pp. 79-80
#26:
“New Year,” p. 9
#28:
“Palo Verde Prelude,” p. 34
“Bechamel Sauce,” p. 35
#30:
“In a Frame,” p. 28
“Symphonic Breach,” p. 29
#32:
“I Think You Know Where This is Going,” p. 84
“Summer Tryouts,” p. 85
#35:
“Turn to One,” p. 61
“She Divests,” p. 62
“Tidy as a Globe,” p. 63
#36:
“Asemic 2,” p. 70
“Asemic 3,” p. 71
#40:
“Simulacrum,” p. 44
“This,” p. 45
MURRAY, JODDY
#17:
“Deaths in Tangled Light,” p. 58
#30:
“Remains Stored Along the Way,” p. 53
“Belly Gallery,” p. 54
MYCUE, EDWARD
#10:
“Babylonian Power,” p. 78
#13:
“I Once Had a Paragraph That Did Not Exist,” p. 104
#18:
“My Hair Was Severely Brushed and My Damp Face Looked Pink Painted Over and Blotched,”
- 109
#20:
“Rumble Seat Pierce Arrow,” p. 121
NECHVATAL, JOSEPH
#37:
“Penelope in Agony,” p. 55
“Vexed Telemachus Adrift,” p. 56
NEEL, ANNELLE
#12
“The Flower Show,” pp. 35-36
NEIVA, BRUNO
#10:
“Texto curado 1.4,” p. 76
“Verd2,” p. 77
#17:
“Press-Sign 1,” p. 20
“Press-Sign 2,” p. 21
#12:
“61.1,” p. 47
“61.2.1,” p. 48
NEUBERG, KAREN
#27:
“(blue) whisper,” p. 92
NICHOLSON, SALLY
#19:
“Bunnie,” p. 115
“Yogi,” p. 116
“Hula,” p. 117
NIKUZE, JEAN PIERRE
#38:
“Nanyuki: A Letter,” pp. 29-35
#40:
“Addressing the Spectre of Gertrude Stein,” pp. 90-92
OGUNS, PETER
#25:
Untitled, p. 93
PAGAN, MICHAEL
#11:
“And These Great Swells,” p. 14
PARENTELA, CLAUDIO
#11:
3 Collages, pp. 28-30
#12:
3 Collages,” pp. 81-83
#24:
“Painting 25,” cover
“Painting 111,” p. 69
“Painting 121,” p. 70
“Painting 311,” p. 71
“Painting 404,” p. 72
#38:
2 Collages, pp. 71-72
PASSEHL, JANET
#7:#7:
“Brahmakamal,” p. 24
“Gate That Hunger Opened,” p. 25
#11:
“Egress,” pp. 78-79
“Strong-Necked Madonna,” p. 80
“Cast as Psalm,” pp. 81-82
“Bastard of the Emblem,” p. 83
#13:
“Glazed blind cushion not mercy,” pp. 10-13
#14:
“Bleat and Sigh Night,” pp. 67-68
#19:
“Dear Colum,” p. 55
“his rented left brother and bottle of yellow music,” p. 56
#18:
“Untitled,” p. 60
#21:
“Untitled,” pp. 90-92
#30:
“Hollow isn’t allowed,” p. 26
“I threw fruit at the sun,” p. 27
PASSER, JAY:
#4:4:
“Banquet,” p. 50
“The Alien,” p. 51
#6:6:
“Binary Moan,” pp. 91-92
“The Origin of Subtitles,” p. 93
#9:
“ghat astrology,” p. 94
#12:
“They May Very Well Turn Against Me,” pp. 56-57
#15:
“Reversal,” p. 97
“My Afterlife,” p. 98
“Pocketbook Martyr,” 99
“One Last,” p. 100
#17:
“Letter to Myself, I,” p. 99
“Letter to Myself II,” p. 100
#22:
“Letter to Myself III,” p. 69
“Letter to Myself, IV,” p. 70
#25:
“Letter to Myself V: A Layman’s Thanatology,” p. 87
“Letter to Myself VI: Blueprint for Gastronomy,” p. 88
#27:
“Date Night,” p. 103
“Election Year,” p. 104
#31:
“Letter to myself VII,” p. 9
“Letter to myself VIII,” p. 10
“Letter to Myself IX,” p. 11
PAU-LLOSA, RICARDO
#1:1:
“Luxuria,” pp. 44-55
#3::
“Passion Fruit Man,” p. 13
“Lion’s Den Man,” p. 14
“Sophia Man,” p. 15
#6:#6:
“Macchupicchu, Day of the Dead,” pp. 37-42
“Posing,” pp. 43-44
“Community College,” p. 45
#10:
“Vandas,” p. 68
“Sawdust, Artist’s Studio,” p. 69
“Peripeteia,” pp. 70-71
#13:
“On the Table,” pp. 84-85
“Ways of Looking at a Clip,” pp. 86-88
“Courtship, Cumana,” p. 89
#16:
“Survival,” p. 119
“Over,” p. 120
#18:
“Illuminations,” pp. 61-62
PERCHIK, SIMON
#6:#6:
3 poems, pp. 17-19
#11:
5 poems, pp. 9-13
#14
5 poems, pp. 9-14
#17:
3 poems, pp. 37-39
#24:
3 poems, pp. 34-36
#28:
4 Poems, pp. 36-39
#30:
3 Poems, pp. 47-49
#33:
3 Poems, pp. 33-35
#35:
5 Poems, pp. 71-75
#37:
5 Poems, pp. 21-25
#40:
5 Poems, pp. 83-87
PEREZ, CHRISTOPHER REY
“Mad Love,” p. 25
PETERS, ROBERT
#3:#3:
“How an Old Man Commemorates the Explorer Robert Falcon Scott (1868-1912),” p. 80
PETTIT, BRANDON
#2:2:
“The Unknown,” p. 77
“The Flinch,” p. 78
#4::
“Love Story,” p. 35
#10:
“Horse Without Water,” p. 34
“Going Somewhere,” p. 35
“Before You Know It,” p. 36-37
#19:
“Salt Specs for a Cult Sky,” pp. 41-43
#23:
“Peculiar travel suggestions are cosmic dancing lessons in verses,” p. 61
“As the Machine Works continues pumping its animal,” p. 62
#27:
“Obedience,” pp. 115-116
“Missed,” pp. 117-118
#30:
“At the Cathedral of Everything,” p. 95
#37:
“Speculative Nonfiction,” pp. 57-58
PORTNOWITZ, TODD
#11:
“Long Distance Travel,” p. 102
“An Offering,” p.103
PRUNTY, RANDY
#29:
“Stripped Away,” pp. 35-36
“Meander, then quick,” p. 37
PUSLENGHEA, BOGDAN
#9:
“rainy little monday,” p. 93
#10:
“Dancing Silence,” p. 79
RABINOWITZ, ANNA
#8:8:
“I Have Discovered an Error,” pp. 60-61
RAPHAEL, DAN
#1:1:
“Opposite Rain,” p. 59
#5:#5:
“1/1/11,” p. 29-30
“Underwater,” pp. 31-32
#7:#7:
“Like There’s No Tomorrow,” pp. 54-55
“Yurt Storm,” pp. 56-57
“Emptathy,” p. 58
#8:#8:
“Meat Rain,” pp. 48-50
#10:
“If a Wing,” p. 9
“I Never Come Back the Way I Left,” pp. 10-11
“Without Angels,” p. 12-13
11:
“If I Had a Crow Bar,” pp. 88-90
#14:
“the song the smog,” p. 76
“fuse on fire,” pp. 77-78
“Sky Sand Window,” p. 79
“Isthmus,” pp. 80-81
#16:
“Highway Patrol,” pp. 100-101
#18:
“Suit Up,” pp. 18-19
“Before Thanksgiving Rises,” pp. 20-21
“More Solstice, Less Equinox,” pp. 22-23
#19:
“Where Rivers Collude,” pp. 118-119
#20:
“So I push out,” p. 51
#22:
Untitled, pp. 111-112
“If Wings,” pp. 113-114
#24:
“Huckleberry Future,” pp. 81-82
“At the Edge of Viscosity,” pp. 83-84
“The House Next Door That Almost Sold Gets a New Roof,” pp. 85-86
#26:
“Living Downtown—Be Careful What You Wish,” p. 96
“Lemon Wind,” pp. 97-98
“Can’t Get Outside Myself,” pp. 99-100
#28:
“The Colder It,” p. 76
“Reluctant Spring,” pp. 77-78
“Dancing ‘Like Nobody’s Watching’ in a Constant Surveillance World,” pp. 79-80
#31:
“Loud Cool Dark September Morning,” pp. 85-86
“I hear the music/ of sorcerers/ trapped/ in the bowels/ of herons,” pp. 87-88
“Waiting for the DNA Test,” p. 89
“Whose Hand Between My Head and the Door Frame,” pp. 90-91
#34:
“Elementalent.” p. 78
“Flying into the,” p. 79
“Word from Scratch,” pp. 80-81
“The Difference Between an Island, a Node, and a Neuron,” pp. 82-83
#35:
“Bi,” p. 97
“Addressing Address,” pp. 98-102
#36:
“A Cornucopia at 0,” p. 25
“City’s Gray Exhalation Like a Robe with Nothing Underneath,” p.26
#38:
“Going in and out of the Sky,” p. 91
“Which Way,” pp. 92-93
#39:
“And Never Again Arrives,” p. 103
“Light Hurts,” pp. 104-105
#40:
“Between Inner Cities,” pp. 123-125
RAVEN, FRANCIS
#4:#4:
“Vocation,” pp. 105-106
“A New Dawn,” p. 107
REDER, CLAUDIA
#4:#4:
“Sunflower,” p. 75
#8:#8:
“Aunt Betty’s Boa,” p. 56
“Visitation,” p. 57
#12:
“Beyond the Suburb,” p. 49
#24:
“Orpheus in Manhattan,” pp. 64-65
#30:
“My Tree Husband,” p. 70
“Fable Needing a Moral,” p. 71
#33:
“One Upon a Time,” pp. 31-32
REHM, CINDY
#21:
Two From Vestige Collage, pp. 61-62
One From Fragments of Analysis, p. 63
“Double Thread,” p. 64
#25:
“Untitled (Jump Cuts),” p. 24
“Untitled (Jump Cuts),” p. 25
RIDL, JACK
#5:#5:
“After Midnight: Insomnia’s Solace,” p. 66
#35:
“Sometimes in the Early Morning the Losses Come,” pp. 103-104
ROBBINS, DOREN
#2:#2:
“For Us It Wasn’t Vietnam,” pp. 9-11
#5:#5:
“Twin Extras,” pp. 63-65
#11:
From Recordation, pp. 34-48
#29:
“Grosz Tradition Satori Pessoa,” pp. 96-107
#30:
“Migraine Interrogator, Surmising,” p. 94
#35:
“fullsizeoutput,” p. 50
ROBINSON, ELIZABETH
#5:5:
“Woman,” pp. 9-10
“Star*,” p. 11
“Compass,” p. 12
#8:8:
“On Being Born,” pp. 41-42
“On Faith,” pp. 43-44
#17:
“On My Valentine,” p. 30
“On Safety,” p. 31
“On Diaspora,” p. 32
#20:
“On Walking in the San Andreas Fault,” pp. 23-24
#26:
“Snowy Egret on Departure and Great Blue Heron on Return
The Pacific, Nearby, Completely Obscured by Fog,” pp. 23-25
#28:
“8,” p. 9
“9,” p. 10
“10,” p. 11
#32:
“On Krakatoa,” p. 51
“On Only,” pp. 52-56
#38:
“Ethics,” pp. 14-18
#40:
“May 31:104, 356,” pp. 65-66
RONSINO, MIGUEL
#9:
“Secret Garden,” p. 57
#14:
“Self-Portrait in Mariana of Austria’s Wig,” cover
“The Shadow—is it You, Papa?” p. 60
“The Stranger,” p. 61
“The Nest,” p. 62
“Wilderness Without Angels,” p. 63
“Death Among the Roses,” p. 64
ROSALES-JALIL, RIGOBERTO
#25:
“The Angel of the City,” p. 76
“Sirena de tierra adentro,” p. 71
ROSENBERG, MARILYN R.
#17:
“Where is the door 1,” p. 97
“Where is the door 2,” p. 98
#30:
“Servo War Dead,” p. 65
“Servo Blackout,” p. 66
“Servo March,” p. 67
#32:
“Return,” p. 106
#40:
“Twin Black Books 5,” p. 116
ROTH, PAUL B.
#12:
“Places to Go,” p. 76
“Another New Future,” p. 77
#14:
“Warrant,” p. 84
“Getting Away,” p. 85
#18:
“On Going Out,” pp. 107-108
RUBINO, FRANK
#25:
“Doubt,” pp. 31-32
“Doll’s House,” pp. 33-34
“Fairy-Tale Minds,” pp. 35-36
“Barbara Dances,” p. 37
RUTSALA, VERN
#3:3:
“Ghost Words,” p. 85
“Whose Dream Is It,” p. 86
“Off the Trail,” p. 87
SALUDES, MIGUEL
#10:
“Abandon All Hope Ye Who Enter Here,” p. 49
“Net Weight,” p. 50
“Passage into the Unknown,” p. 51
#11:
“City Surfers,” p. 73
#24:
“Concrete Wall (detail),” p. 119
#33:
“May the Flames of Youth Burn Forever Bright,” p. 84
“Kozmic Blues,” p. 85
“Kozmic Blues (detail),” p. 86
“Tennis Field With Sprout,” p. 87
“Tennis Field With Sprout (detail),” p. 88
SANCHEZ, P. L.
#24:
“Safe Travels,” p. 108
“We Say Lima is Grey,” p. 109
SANDSTROM, CATHIE
#27:
“Tracking Papa,” pp. 119-120
SARMIENTO, EDUARDO
#12:
“Love is a Dog from Hell II,” cover
“The Dance of Desire I,” p. 17
“The Dance of Desire II,” p. 18
“Fragments of Desire,” p. 19
“A Refined Way of Living Desire,” p. 20
#26:
“Portrait of Lola and Her Parents,” p. 130
#27:
“Rebecca Sanchez Valdes & Eulogio Sarmiento Juvier, Paternal Grandparents,” cover
“Originary from Canary Islands, Paternal Great-Great-Great-Grandparents,” p. 41
“Narciso Juvier & Caridad Conde, Paternal Great-Great-Grandparents,” p. 42
“Clotilde Lopez & Antonio Rodriguez, Maternal Great-Great-Grandparents,” p. 43
“Rebecca Sanchez Valdes & Eulogio Sarmiento Juvier, Paternal Grandparents,” p. 44
SASANOV, CATHERINE
#1:1:
“Eliza on Ice,” p. 68
“Consumption, 1901,” pp. 69-70
#4:#4:
“Archeological Data Recovery: Angola Plantation, West Feliciana Parish, Louisiana,” pp. 65-66
11:
“Massachusetts (A Short History of Light),” p. 104
#28:
From Markd Y (Archives & Invocations) pp. 60-64
SCHMITT, JON
#10:
“Valentine,” p. 88
#16:
“I Will Not Offer Blackened Bones,” pp. 85-86
“The Password is Always,” p. 87
#31:
“Chaoplexity,” p. 106
SCHORN, BRIAN
#1:#1:
“Recklessness Turning Rainbow,” p. 99
“Magnification and Transportation,” p. 100
“Manual for Mouse Houses,” p. 101
“A Portrait Including Hum,” p. 102
#77:
Listening Lamp, pp. 106-113
#33:
“Sunrise,” p. 68
“Black Rain,” p. 69
“Fracture,” p. 70
“Bedroom Door Knob,” p. 71
SEIDMAN, ANTHONY
#15:
“Chihuahua Desert,” p. 57
“Field Trip,” p. 58
“The Uncapped Pen,” p. 59
#27:
“Enough Barbarity,” pp. 97-99
“Offspring,” p. 100
#30:
“Tzadik in the Woodshop,” p. 62
“Erasure,” pp. 63-64
#31:
“Oxygen Backwards,” p. 50
#37:
“The Deadly Instants Before Deciding,” p. 54
SELBY, SPENCER
#5:
From EMWRLD: 1, 4, 6, 7, and 9, pp. 80-84
“Job for One Syllable,” pp. 85-86
“flect,” p. 87
“invev-1,” p. 88
#6:6:
“Your Choice,” p. 94
#9:
“What digital has done to us,” p. 42
“How to sell the sun,” p. 43
SFOGGIA, SAMY
#14:
“#3945#4,” p. 24
“REM; What Happened?” p. 25
SHEA, TIM
#14:
Four Untitled Poems, pp. 50-53
SHILLIBEER, CAROL
#13:
“drunk on dittany,” 94-95
SIERRA, PAUL
#1#1:
“Among Us,” cover
“Autumn, Lincoln Park,” p. 66
“Into the Night,” p. 67
#8:8:
“Self Portraits,” p. 46
“Traveler,” p. 47
#12:
“Winter Landscape,” p. 31
“Ablaze,” p. 32
“The Sun Under the Trees,” p. 33
“Our Home at the End of the World,” p. 34
#15:
“Self-Inflicted,” p. 18
#20:
“Temple,” p. 20
“The Landscape Imagined,” p. 21
“Inheritance,” p. 22
#29:
“In the Garden,” cover
“Across the River,” p. 31
“Night Laughter,” p. 32
“Visitor,” p. 33
“Endless,” p. 34
#34:
“Atardecer,” p. 17
“Terminus,” p. 18
#38:
“Swimmer #4,” cover
“Harvest,” p. 36
“Swimmer #14,” p. 37
“American Relic,” p. 38
“Icarus,” p. 39
#40:
“Robert Johnson Waits for the Devil,” p. 14
SIKELIANOS, ELENI
#6:#6:
“Some Assemblies of the Past or Present,” pp. 86-88
SIMMONS, ALESSANDRA
#20:
“Dear Sky,” p. 114
“Neither here, nor there, always,” p. 115
“The Key,” p. 116
SIMON, MARJORIE
#3:3:
“An Interview with Marjorie Simon,” pp. 53-61
“Out My Window,” p. 63
SIPES, GREG
#1:1:
“Two Pieces by Greg Sipes,” p. 65
#3::
“Neurochemical Response,” p. 70
#9:
“Ring Mechanics 1—Prometheus,” p. 92
“Ring Mechanics 2—Pandora,” p. 92
11:
“Just So You Know,” p. 117
#16:
“July the Fourth,” p. 99
#28:
“free water,” p. 105
“us,” p. 105
SMALLFIELD. EDWARD
#5:#5:
“spring,” p. 72
“summer,” p. 72
“autumn,” p. 73
“winter,” p. 73
#8:8:
“the pure products of America/go crazy,” p. 33
“emotion (recollected),” p. 34
“from familiar,” p. 35
“everyone likes sweet things,” p. 36
#14:
Untitled, p. 20
#17:
“The Art of Narrative,” pp. 72-73
#19:
“ronin,” p. 72
“palimpsest,” p. 73
SMITH, DEANNE C.
#26:
“Robo-Mama,” p. 63
“Martha’s Hand,” p. 64
“Landscape 1,” p. 65
“Landscape 2,” p. 66
SMITH, JACK RICHARD
#21:
“Diane Bushberg,” p. 76
“Doan at the Adobe Bar,” p. 77
#37:
“American Gothic,” cover
“The Slator Daughters,” p. 26
“Taos Diner,” p. 27
“Zurburan’s Dada Epiphany in Grass Script,” p. 28
“Study in White: Portrait of RC and Tonto,” p. 29
SMITH, LAWRENCE R.
#2:2:
From Vibrio, Book II, pp. 85-90
#7:#7:
“Spheritude,” p. 46
“The Stone,” p. 47
“Luna Moth,” p. 48
#9:
“The Desert,” pp. 52-56
#10:
From VIBRIO, Book I, pp. 89-92
#12:
“Hermes,” pp. 37-38
“Altar,” p. 39
“Sentinel,” p. 40
#14:
“Bowl,” p. 69
“Bird Signs,” p. 70
“A Paradise of Stones,” p. 71
#17:
“Portals,” pp. 55-56
#22:
“Stages of Night,” pp. 50-59
#26:
From Vibrio, Part I, pp. 103-106
#32:
“5 by Monk by 5,” pp. 55-56
#35:
“Toward the Rain,” p. 40
#38:
“Second Sight,” p. 40
#39:
“Reservation,” p. 90
#40:
“The Dissecting Table,” p. 93
SMITH, WILLIE
#20:
“How Too,” p. 122
STEELE, EMMA
#36:
“I Steal My Father’s Mug Collection Instead of Telling Him I Love Him,” p. 69
STEWARD, D. E.
#1:#1:
“Jullet,” pp. 52-56
#4:#4:
“Deimbir,” pp. 69-74
#6:#6:
“Febusto,” pp. 79-84
#9:
“Septembaar,” pp. 59-61
11:
“Marz,” pp. 112-116
#15:
“Junais,” pp. 83-87
#17:
“Waziristan,” pp. 9-14
#18:
“Suet,” pp. 99-104
#20:
“Atlas Peak,” pp. 85-90
#22:
“Grass Valley,” pp. 83-90
#23:
“Parma Violet,” pp. 33-40
#26:
“Ou Allons Nous,” pp. 79-85
#28:
“Hedra,” pp. 88-96
#30:
“Angola,” pp. 72-79
#31:
“Lignite, Bituminous, Anthracite,” pp. 97-103
#32:
“Ungrammable,” pp. 100-105
#33:
“Swellendam,” pp. 74-83
#34:
“Rumble Stripped,” pp. 70-74
#35:
“Fully Volitional,” pp. 85-94
#36:
“Chronotype Yellow,” pp. 107-111
#37:
“As Though Nothing Happened,” pp. 103-107
#39:
“Amazon as a Verb,” pp. 54-62
#40:
“Mutually Constitutive,” pp. 117-122
STOLOFF, CAROLYN
#4:#4:
“Arising,” pp. 91-92
“Who Knows Who,” p. 93
“Station #3,” p. 94
“Station #4,” p. 95
#5:5:
“Port City,” p. 58
“Port With Moons,” p. 59
“A Far Cry,” p. 105
BRIAN STRANG
#22:
“the wasp,” pp. 9-11
STRAUS, AUSTIN
#1:1:
“From Burnworks,” pp. 93-94
#2:#2:
“From Burnworks,” pp. 30-31
#4:4:
“Foreshadowings,” p. 27
#13:
From Burnworks, book 1, figure 4, p. 96
From Burnworks, book 2, figure 4, p. 97
#16:
From Punims, Book 6, page 13, p. 83
From Punims, Book 6, page 34, p. 84
SWANN, BRIAN
#4::
“Through the Glass,” pp. 45-46
#7:7:
“Oz,” p. 59
“Liberation,” p. 60
#9:
“Lost Narratives,” pp. 44-48
#12:
“Snow in June, or Why I Hate Actors,” p. 45
“Plot,” p. 46
#14:
“Perder el Hilo,” pp. 15-16
“Smoke Up the Skirt,” p. 17
“Pioneers, O Pioneers,” p. 18
#16:
“Septet,” pp. 96-98
#18:
“A Collection of Life,” pp. 54-56
#20:
4 Untitled Paintings, pp. 104-107
#26:
“A Man’s,” p. 93
“Winter Suite,” pp. 94-95
#34:
“Manifest Destiny,” pp. 103-104
“Pastoral,” pp. 105-106
SWEENEY, CHAD
#20:
“Effect,” p. 123
“Lantern,” p. 124
TARN, NATHANIEL
#5:# 5:
“Nerval’s Maidenhair (Fern),” pp. 13-14
#13:
“Of the Great One-Breasted River,” pp. 25-28
#20:
From Transcript for a Preparation: Two Pre-Booked, pp. 11-13
TELOT, JOSE L.
#4:#4:
“The One Who Arrives,” p. 36
“The Veil,” p. 37
#13:
“The New Godhead,” p. 108
“The New Godhead II,” p. 109
THREEFOOT, GINNY
#37:
“the ambiguities of sleep,” p. 9
“afterlife I,” p. 10
“afterlife II,” p. 11
THURMAN, ROBERT
#24:
“Last Warning,” p. 18
TIERNEY, BRIAN
#9:
“What We Inherit,” pp. 33-34
“Eschatology,” p. 35
TOPAL, CARINE
#5:#5:
“A Geometric Theory,” p. 74
“My Body You Are an Animal,” p. 75
“We Were Going Somewhere,” p. 76
“Desertion,” p. 77
#8:8:
“Le Modele Rouge,” p. 92
11:
“Hook and Ladder,” p. 121
14:
“The Dissecting Room,” p.26
“This Life,” pp. 27-28
#22:
“Sobriquet,” p. 12
“Passing,” p. 13
“Smaller Kingdoms,” p. 14
“St. Petersburg, Beliye Nochi,” p. 15
#26:
“Of the Formation of the Circle,” p. 46
“How Can Death Not Change You,” p. 47
“My Mother Was a Couturiere,” pp. 48-49
#28:
“Mangrove Forest,” p. 81
“Fortunate Divorce,” p. 82
#32:
“Flea,” p. 62
“The Burning of Joan,” pp. 63-64
“Passing,” p. 65
“Pork Pie,” p. 66
#37:
“Ancient Fall,” pp. 16-17
“Passing,” p. 18
TRETIN, MARC
#22:
“Maya, Sleeping on the Cairo to New York Flight, is Addressed by Her Muse,” pp. 67-68
TRIER-WALKER, AMY JO
#23:
“All that is Answering,” pp. 74-75
“You Hand Me Your Name on Ice,” p. 76
#35:
“Don’t You Ever Forgive a Miracle,” pp. 9-10
“Ripped / Over-Parted,” p. 11
#38:
“Go On, Gone,” p. 61
“The Claw in the Tongue,” pp. 62-63
#40:
“The Ninth House, Looking South and Outward,” p. 38
TYNER, JESSICA
#8:8:
“Leave Two Pounds of Flesh,” pp. 70-71
ULLOA, CARLOS
#6:6:
“Anchored Down,” cover
“Refuse to Settle,” p. 30
“It’s Really a Story,” p. 31
“Fine Madness,” p. 32
“Ska,” p. 33
VANDER MOLEN, ROBERT
#2:#2:
“Women,” pp. 41-42
#6:6:
“Police Tape,” p. 66
“A Letter,” pp. 67-68
#9:
“The Minch,” pp. 77-78
#13:
“Woman Reading,” pp. 123-125
“Raptors,” p. 126
“Matt Studying Undersea Maps,” p. 127
#18:
“The Dagged Edge,” p. 35
“Meanwhile,” p.36
“A Warble, a Wave,” p. 37
#22:
“The Watershed,” pp. 93-94
“Matt’s Road Trip,” p. 95
“The Woman Who Owned the Cabin,” p. 96
#26:
“Old Guys,” pp. 107-108
“In the City Park,” p. 109
“Lunch with Ben,” p. 110
#30:
“In the Offing,” pp. 30-31
“At the Dog Park,” pp. 32-33
“Appointments,” pp. 34-35
#34:
“Places,” pp. 25-26
“The Land,” p. 24
#39:
“Colors,” pp. 84-85
VARGAS, LAUREN
#4:#4:
“Midnight Marriage,” p. 52
“Live Portrait,” p. 53
#6:#6:
“I Am-erica,” pp. 76-77
VASSILAKIS, NICO
#3:#3:
“curved positions,” p. 40
“in other words,” p. 40
“drawning 2,” p. 40
#5:5:
“Four by Nico Vassilakis,” pp. 68-71
#7#7:
“diminished use value two,” p. 102-105
#8:8:
“dice,” pp. 72-73
“these distinctions,” pp. 74-75
#11:
Untitled, p.118
#15:
Four from Letters of Intent, pp. 78-82
#18:
A Nico Vassilakis Portfolio: Interventions, cover and pp. 66-69
#27:
4 Visual Poems, pp. 57-61
#37:
2 Visual Poems, pp. 83-84
#40:
Two Letter Compositions, pp. 104-105
VEGA, INES
#16:
“Violette,” cover
“La Maga,” p. 46
“Mercurea,” p. 47
“Un Balboa,” p. 48
“Titulo Esfinge Negra,” p. 49
#17:
“Rio Rimac,” p. 33
“Amanecer,” p. 34
“El cielo,” p. 35
“La Maga,” p. 36
#39:
“Nandando en la Manana,” p. 42
“El Defin Navegando,” p. 43
“Las Alas,” p. 44
VILLALBA, JOVAN KARLO
#4:4:
“The Death of an Art Studio,” p. 54
“The Wake,” p. 55
“Beginning at the Water’s Edge,” p. 56
“Pinnacle and Wonderment,” p. 57
#8:#8:
“As We Grow,” cover
“Rafters,” p. 58
“A Dawn Perched on Downbursts,” p. 59
#12:
“Bridging the Gap,” p. 58
“On the Rise,” p. 59
“Resurfaced Monument,” p. 60
“The Shifting New Tide,” p. 61
#19:
“Castaway,” p. 98
“Recycled Elements,” p. 99
“The Climb,” p. 100
VIZCAINO, PEDRO
#6:#6:
“Ganguero (Gangbanger),” p. 36
#8:#8:
“Avion,” p. 28
“Taxi,” p. 29
VIZENOR, GERALD
#1:1:
“Derrida and the Irony Dogs,” pp. 60-64
#21:
“Justice Molly Creche,” pp. 18-32
#27:
“Nurse By Now,” pp. 26-40
#38:
“Tease Talker,” pp. 43-47
#39:
“Satie on the Seine,” pp. 36-41
WAKOSKI, DIANE
#1:#1:
“Rose Bush: 1942,” pp. 20-22
#4:#4:
“The Ice Sweepers,” pp. 20-21
#7:7:
“If Women Are Flowers, Then Men Are Trees,” pp. 40-42
“Eros Touches Psyche’s Wrist,” p. 43
“In My Dream,” pp. 44-45
#13:
“Quintessence,” p. 21
“Refrigerator Light,” pp. 22-23
“Is It Lilac?” p. 24
WALDROP, JASON
“Disorient,” p. 32
#38:
“Shame,” pp. 54-55
WALDROP, ROSMARIE
#2:
From Third Person Singular, p. 12
WALKER, RONALD
#29:
“herd,” p.65
WAYMAN, TOM
#3:#3:
“Instrument,” pp. 95-96
“Sustenance,” p. 97
WEISSMAN, RON
11:
“No Top Hat,” p. 74
“On an Island,” p. 75
“Morning has Broken,” p.76
Poem, p. 76
#34:
“Dreaming of a Bedouin Man,” p. 99
“Ocean Bears,” p. 100
“Rabbit,” p. 101
“A Rat,” p. 102
WESICK, JON
#12:
“At the Farmhouse that Was the Inspiration of Anne of Green Gables,” p. 92
WESLOWSKI, DIETER
#27:
“This Time,” p. 91
#32:
“Las Cruces Installation,” p. 110
#33:
“A Collecting,” p. 102
“And Having Rattled Off,” p. 103
#35:
“My Take on Plato,” p. 108
“Another Blossom An Other,” p. 109
#36:
“Crash,” p. 72
“The Search Is On,” p. 73
#37:
“Saint Swithin’s,” p. 53
#38:
“And if there is a Guadalupe,” p. 52
“Quick Step for a Vinegaroon,” p. 53
#40:
“The Art,” p. 135
WILT, ELLEN
#1:1:
“Pattern for Birthing (detail),” p. 42
#7:#7:
“Hunt,” p. 21
“Find,” p. 22
“Score,” p. 23
#8:# 8:
“Under the Floorboards: Pigs,” p. 68
“Under the Floorboards: Piglets,” p. 69
#13:
“Map,” p. 29
#17:
“Burghers,” p. 57
#20:
“The Counterpane,” p. 5
#23:
“Good and Evil, or G & E,” p. 17
#28:
“The Lure,” cover
“Cybered,” p. 47
“Reality,” p. 48
“The Scholar,” p. 49
“Unseen,” p. 50
#32:
“Enough is Enough,” p. 15
“Rescue at the Trestle Bridge,” p. 16
#35:
Four Untitled Pieces, cover and 41-43
#37:
“Welcome Fence,” pp. 19-20
#40:
“Ants Fore & Aft the Other Side,” p. 25
“Water to the Other Side,” p. 26
“Weaving to the Other Side,” p. 27
WILT, ROBIN
#18:
“Drone Swarm,” p. 39
“Drone Swarm Brain (detail),” p. 40
#38:
“Wavefall,” p. 57
WINANS, A. D.
#15:
“Insomnia,” p. 73
“Poem for Ruth Weiss,” p. 74
WOLAK, WILLIAM
#21:
“The Enigma of a Deepening Smile,” p. 103
#23:
“The Irresistible Embrace,” p. 73
YORITA, DEANNE (see also DEANNE C. SMITH)
#3:3:
“Trophy Wife,” p. 76
“On the Verge,” p. 77
“Miss Universe,” p. 78
“Circulon,” p. 79
#9:
“A Modest Proposal,” cover
“Somebody’s Baby,” p. 62
“Sucking Air,” p. 63
YOUNG, AL
#8:8:
“Haiti, Haiti, Tortured Lady,” pp. 65-66
“Signal to Noise,” p. 67
YOUNG, MARK
#10:
“A Line from Giorgio de Chirico,” p. 38
“A Line from Lorenz Hart,” p. 39
#23:
“The character of abnormalities,” p. 70
#32:
“Infantile Spasms,” p. 97
“Pseudo-random integers,” p. 98
“The competition is heating up,” p. 99
ZHANG JI
#24:
“Anchored at Maple Bridge at Night,” (trans. Hong Ai Bai and John Digby) p. 54
ZVER, JIM
#5:#5:
“From Another Place,” cover
“Cambrian #21,” p. 26
“Cambrian #24,” p. 27
#18:
“After Madrid, 3,” p. 48
“After Madrid, 4,” p. 49
“After Madrid, 6,” p. 50
#22:
“Cambrian Collage #33,” p. 76
“Cambrian Collage #34,” p. 77
#24:
“Spanish Drawing #19,” p. 110
“Spanish Drawing #22,” p. 111
#25:
“After Madrid #3 (Red),” p. 38
“After Madrid #4 (Red),” p. 39
#31:
“Vallecas 9,” p. 28
“Vallecas 14,” p. 29
#35:
“Alucinacion #6,” p. 95
“Alucinacion #25,” p. 96
#39:
“Hallucination.24,” p. 15